Fleetwood Mac: Rumours (1977) (....about Lactose Intolerance)

[00:00]In 2020, four friends decided to listen to every one of the greatest 500 albums as decided by Rolling Stone magazine.

[00:05]This resulted in a text chain that celebrated the music, excoriated the order, and led us to making this podcast.

[00:11]We are far from experts and we promise to do almost no research.

[00:14]All opinions are our own unless you disagree.

[00:17]Please sit back and enjoy.

[00:19]Beck did it better.

[00:20]This is Rumors by Fleetwood Mac.

[00:23]So guys, I was doing some research for this band and I realized one thing that makes this band really interesting

[00:27]and it probably helped their creativity was that they had a bunch of love triangles.

[00:31]So I was thinking we should probably start a love triangle.

[00:34]I got Russell.

[00:35]I got Russell.

[00:36]Dibs on Russell.

[00:37]Nice, nice.

[00:38]Oh, this will work out great.

[00:40]Yeah, I think everything's fine.

[00:42]Rulers make bad lovers.

[00:43]You better put your podcast kingdom up for sale.

[00:46]Rob's out.

[00:48]You know, this is just a bit, but it hurt actually when we did it in real life.

[00:52]When you want to hear about the greatest albums of all time.

[00:57]But you're just too lazy to look it up online.

[01:02]If you want to hear from guys who chat and then they get all ready.

[01:07]I feel so in demand right now.

[01:08]I like it.

[01:08]I've got the perfect podcast for you, Jack.

[01:12]Beck did it better.

[01:15]All right.

[01:17]Yeah, my wife just came in and said that she wants to be involved in a love point.

[01:21]All right.

[01:22]So you guys, we are talking this week.

[01:26]Welcome to Beck did it better.

[01:27]We are talking this week about Fleetwood Mac's album Rumors.

[01:30]Did you guys hear about the new album they came out with about little vacuums?

[01:34]It's called Roombers.

[01:36]Oh, no.

[01:37]All right.

[01:40]So that's going to be the new alternate beginning of every episode we do.

[01:44]We might need to fire up the farbish sheet if this is where we're headed.

[01:47]Listen, it is fall.

[01:50]Okay.

[01:51]It is autumn.

[01:52]And let's meet the three guys who put the pumpkin my spice.

[01:55]Whoa.

[01:57]I don't like that.

[01:58]I don't like how that came out.

[01:59]Even on paper, I don't like how it looks.

[02:01]Let's meet.

[02:02]We got Matt in Minneapolis.

[02:04]Matt, how are you doing?

[02:05]I'm doing great, Rob.

[02:06]Thanks for having me.

[02:07]We've got Russ in Minnesota.

[02:09]Russ, how are you doing?

[02:10]Players only love you when they're playing, Rob.

[02:12]Oh, she don't love me.

[02:15]Rosie.

[02:17]We got Rosie out in California.

[02:19]She loves my doggy style.

[02:21]There we go.

[02:22]Somehow he's three hours behind us, yet he's still talking to us at the same time.

[02:25]I've never figured that out.

[02:26]Aaron, how are you doing?

[02:27]It's not a flat earth conspiracy.

[02:28]I'm good.

[02:29]I had squash for lunch today.

[02:30]That's as close as I'm getting to pumpkin spice so far.

[02:32]It was 80 degrees in Oakland, so no pumpkin spice yet here.

[02:35]Please, not this early, okay?

[02:39]Can you just give me a break?

[02:40]You just had squash?

[02:42]Was that the main part of your lunch was squash?

[02:44]No.

[02:45]I mean, well, it was kind of the main event.

[02:47]I had some squash that I roasted yesterday, and then we put some feta cheese on it today,

[02:52]and then we had some seitan on the side, and I got some new hot sauce.

[02:55]I'm really excited about that.

[02:56]What on the side?

[02:57]Six, six, six, six.

[02:58]Seitan on the side.

[03:00]My dad's going to listen to this.

[03:04]He's going to be like, where did I go wrong?

[03:05]Why is my son eating seitan?

[03:07]But, Dad, I had a burger not that long ago, too.

[03:09]Please believe.

[03:09]Has he called you to scold you about the microwave thing or anything recently or not?

[03:13]Not about the microwave, but he does occasionally send me a text about like,

[03:17]oh, I'm surprised you left California Dreaming off your California list, things like that.

[03:22]So he's definitely listening.

[03:22]He's not slamming you.

[03:23]He's slamming the content that you're putting out.

[03:25]That's even worse.

[03:26]Oh, yeah.

[03:26]Yeah.

[03:27]It's not that I don't love you.

[03:30]It's I don't love your content.

[03:31]Son, you need to work on your timing.

[03:35]You know what?

[03:38]Squash for lunch sounds gourd to me.

[03:40]Oh, no.

[03:42]No.

[03:43]No.

[03:44]We are off to a great start.

[03:46]I'm really happy.

[03:47]This is the perfect podcast.

[03:47]It's happening.

[03:48]It's really happening.

[03:50]All right.

[03:50]Let's get into it.

[03:51]Rolling going.

[03:51]Rolling going, everybody.

[03:53]Rolling going.

[03:54]How is it going?

[03:55]What are you into?

[03:57]Let's start out with Matt.

[03:58]Matt, rolling going.

[03:58]How are you doing?

[03:59]I'm doing well.

[04:00]I feel like I hardly ever have anything intelligent to add to this section of the podcast.

[04:06]So I was listening to the radio this week.

[04:09]Oh.

[04:09]You know.

[04:10]You know I love that.

[04:11]You know I love that.

[04:12]A lot of FM.

[04:14]A lot of 96.5.

[04:16]God, I wish I remember their call letters.

[04:19]But it's like kind of an alternative station here in Twin Cities.

[04:22]A lot of 97.1.

[04:24]You know.

[04:26]That's pretty much it.

[04:27]But you know, the good thing is, is these DJs, they fill their time with useless facts all

[04:32]the time.

[04:33]And you know, some of it's pretty darn good.

[04:35]Some of it's pretty darn good.

[04:36]Sounds like the second half of our podcast.

[04:37]Yeah.

[04:37]Exactly.

[04:38]I wonder if they take them right off Wikipedia, too.

[04:40]What are you talking about?

[04:45]Things I learned this week.

[04:46]Things I learned this week.

[04:47]Alanis Morissette has been nominated for 15 Tony Awards.

[04:51]Tonys?

[04:52]Yeah.

[04:53]That's for being on Broadway or what?

[04:54]Yeah.

[04:54]Jagged Little Pill.

[04:55]So Jagged Little Pill.

[04:56]It was made into a musical.

[04:58]Wow.

[05:00]And one of the things she's up for is Best Musical, Best Scenic Design, and a number of

[05:07]best performances by the actors.

[05:09]But I just kind of thought, apparently there's usually like 34 plays, I guess you'd call

[05:18]them.

[05:18]Musicals, plays.

[05:19]It's all the same thing.

[05:19]I don't know.

[05:20]I'm not a big Tony mind.

[05:21]They're like real life movies, man.

[05:24]Maybe that'll help you.

[05:25]But it's down to 19 this year.

[05:26]So of course, everybody's like, well, Alanis Morissette's up for 15.

[05:30]But there's a shortened bench this year, which I think is just bullshit because that album

[05:36]bangs.

[05:36]And so good for Alanis Morissette.

[05:38]Another thing that came up.

[05:40]Is that album on the list?

[05:41]Are we going to get to that one?

[05:42]It has to be on the list, right?

[05:43]That's on the list.

[05:44]Yep.

[05:44]I think it's in the early 60s.

[05:47]It was way down and it moved up into the top 100 somewhere.

[05:50]Next thing that came up, Oasis, Wonderwall hit a billion.

[05:56]Streams on Spotify.

[05:58]The first.

[05:59]I did read this.

[06:00]Yeah.

[06:00]First 90s song to hit a billion streams.

[06:04]And it kind of went to looking into seeing like, you know, I'm not a Spotify person.

[06:08]You know, YouTube's kind of the big one where, you know, how many spins on YouTube have things

[06:14]gotten.

[06:14]So, you know, I kind of just went to look quickly, see if that has been a billion views

[06:20]on YouTube.

[06:21]It hasn't.

[06:22]It hasn't.

[06:22]But there's been a couple of great 90s songs that have.

[06:26]Yeah.

[06:26]Made the list.

[06:28]Zombie by the Cranberries.

[06:29]One of my favorites.

[06:30]Wait, what list is this?

[06:32]This is a billion views on YouTube?

[06:33]On YouTube.

[06:34]Yeah.

[06:35]So, Zombie.

[06:36]And I think because, I think it's a dire wolf or a gray wolf or some wolf.

[06:40]Yes.

[06:40]That song is awesome.

[06:42]We should pull that up.

[06:43]It makes.

[06:43]Still not as good as the original.

[06:45]But, I mean, but it's pretty darn good.

[06:47]But you'll notice it's playing in the background right now.

[06:49]Yeah.

[06:50]But it kind of goes back to last week.

[06:53]Smells like Teen Spirit has over a billion views.

[06:55]Guns and Roses.

[06:56]November Rain.

[06:57]I mean, probably one of the best.

[06:58]Wow.

[06:59]Music videos of all time.

[07:01]Yeah.

[07:02]So, those three have hit it.

[07:03]And then there's three others.

[07:05]Queens.

[07:06]Bohemian Rhapsody.

[07:07]Obviously, that made it.

[07:10]Guns and Roses.

[07:11]Sweet Child of Mine.

[07:12]And A-Ha's Take On Me, which might be one of the best 80s songs of all time.

[07:17]Is that on the list?

[07:18]That's a great song, man.

[07:19]That's so surprising.

[07:20]I don't know.

[07:20]I don't think.

[07:21]I don't think.

[07:21]I don't think A-Ha's.

[07:22]No, but that song is definitely like on the top 500.

[07:26]Greatest songs of all time.

[07:27]You had mentioned Oasis.

[07:29]I saw a while back that Lars Ulrich from Metallica, the drummer from Metallica, actually called.

[07:34]Is it Noel Gallagher?

[07:35]Is that the Oasis singer?

[07:36]The lead guy?

[07:36]Yep.

[07:37]He actually called him his favorite songwriter ever.

[07:40]And I thought that was a pretty cool compliment.

[07:41]But admittedly, I always get Oasis and The Offspring confused.

[07:46]You know, I'm not really a music guy.

[07:47]I'm kind of an amateur hour when it comes to this.

[07:50]Oh, really?

[07:51]You confuse Oasis and Offspring and you're saying you're an amateur?

[07:54]I don't believe it.

[07:55]No way.

[07:55]I'm not saying like.

[07:56]I'm going to know if I hear Pretty Fly for a White Guy, I'm going to say, oh, that's Offspring.

[08:00]But if I hear one of those Oasis songs, I might know it.

[08:03]But in my mind, I get them confused.

[08:05]It's kind of similar to the whole Wilson Pickett.

[08:07]What was the other one?

[08:08]Wilson Phillips.

[08:09]Wilson Phillips deal.

[08:10]You know, what I would advise Russell is one way I remember him is I try to keep him separated.

[08:15]And I find that that's what I generally do with my online dates.

[08:21]That's why they happen so infrequently.

[08:26]Well, you know, so the, you know, that song Wonderwall and Brandon from Minneapolis will hate me.

[08:32]Krista's husband, Krista from Minneapolis' husband will hate me for saying this.

[08:36]But the local football team.

[08:38]I don't like that Matt calls her by the right name.

[08:40]I don't like that.

[08:40]Yeah, no.

[08:41]Football in my air quotes.

[08:43]For some reason she hasn't called in the last three weeks.

[08:45]Who knows why?

[08:45]Our local MLS team has taken Wonderwall as kind of their song and it just drives me bonkers.

[08:51]I have no idea why Wonderwall.

[08:53]I know, but like, why is it a soccer song?

[08:55]Why are the.

[08:56]The dark cloud.

[08:58]Why are they singing?

[08:59]What does it have to do with soccer?

[09:01]Football.

[09:01]What does that do to football?

[09:02]I don't know.

[09:03]So what, Matt, in your mind, in your mind, what's a better.

[09:05]Probably something by the clash.

[09:07]I don't know.

[09:07]I mean, something.

[09:08]I mean, like how it just kind of brings you down, doesn't it?

[09:11]I mean, well, how are you going to get pumped up for a football match by singing Wonderwall?

[09:15]Can we hear it?

[09:15]Can we pull it up or not?

[09:17]I bet like, yeah, you can get like, oh, we're going to get pumped.

[09:20]Yeah.

[09:20]Aaron, you would probably do like two, two trips.

[09:26]On your little amateur dirt bike ride, but you wouldn't make all five.

[09:29]If you were listening to Wonderwall, you listen to offspring song, you'd probably get through

[09:35]four or five though.

[09:36]I would have made through all five segments.

[09:38]Yeah.

[09:39]If you're Russell, you don't know what you're listening to.

[09:40]You're like, man, Russell just goes to a concert and is like, yeah, I guess I had a roommate

[09:44]in college and he was really into the offspring freshman.

[09:47]I remember this.

[09:48]And he was kind of an a-hole about it.

[09:51]And he would put the offspring on super loud on his MP3 player and go to class and lock

[09:56]the door and just let it crank.

[09:57]So the whole floor had to listen to it and couldn't turn it off.

[09:59]That's a normal person thing to do.

[10:01]Definitely not a psychopath.

[10:01]That sounds like par for the course for St. Olaf.

[10:05]I hope he's not listening, but he might've been a sociopath.

[10:07]This sounds like soccer to me.

[10:10]This is a soccer song?

[10:11]Yeah.

[10:12]Russell's confused.

[10:12]I don't get it.

[10:13]This sucks.

[10:14]It's a great song, but like, I don't know how they pick it for their, their song.

[10:19]We should probably do a whole episode on soccer.

[10:23]Maybe Brandon from Minneapolis can call in.

[10:26]Tell me why.

[10:26]Listen, it's the perfect stadium song.

[10:28]Why?

[10:29]What?

[10:30]Because everyone sings along and you can just like full throat it.

[10:32]Like a COVID stadium song where there's nobody there.

[10:35]This is brutal.

[10:37]Listen, I know, I know Aaron wants that Gary Glitter song to come back.

[10:41]Rob, I would like to pull up.

[10:43]You know, we got to edit that out.

[10:45]Every time you try this shit on me and Russell, a week later says, nope, a hundred percent.

[10:49]That's got to go.

[10:49]Nope.

[10:50]I'm going to bring up Gary Glitter later.

[10:51]Gary Glitter?

[10:53]I separate the artist and the art.

[10:54]What do you want me to do?

[10:55]Oh my God.

[10:55]That's the greatest stadium song ever.

[10:57]I think the greatest stadium song ever is Chelsea Dagger, which is what they play when the Blackhawks score a goal.

[11:03]Can we pull that one up quick?

[11:04]Oh, that's pretty good.

[11:05]And then tell me that's not a thousand times better than this, this Oasis or Offspring song.

[11:11]Is it better than Seven Nation Army though?

[11:13]Oh, this is better.

[11:14]But we should, we should say that, you know, Wonderwall is a phenomenal song.

[11:19]It's just not a good stadium song.

[11:21]I don't think people sing along together.

[11:23]That's like this whole thing, I think.

[11:24]Right.

[11:25]I'm singing.

[11:26]But like, it's cool when you say the Wonderwall, Wonderwall, that's it.

[11:29]It's the same reason why Green Bay has that dumb, I don't want to work song.

[11:33]You can sing it.

[11:34]It doesn't mean anything.

[11:35]Hey, if my team's, my team's scoring or winning a game, this will jam.

[11:40]There's a, it'll kick up.

[11:43]Yeah.

[11:43]But I think soccer has ended the like fans singing along together thing.

[11:46]Cause what is it?

[11:47]Everton has you'll never walk alone or which, which, which team has that one?

[11:50]Like this?

[11:55]Like this is great.

[11:58]After you score a goal, when we own a truck in Chicago, right?

[12:02]I, Matt, you couldn't be more wrong about Wonderwall not being a good stadium song.

[12:06]No, Matt, you weren't correct.

[12:08]I'm with Matt.

[12:09]If Matt and I team up, you guys are going down.

[12:11]That is a horrible stadium song.

[12:13]Oh no.

[12:14]That I would love to sing that song in a stadium.

[12:16]It's if you were in a stadium and everyone started singing it, I guarantee tears falling

[12:19]straight from your eyes.

[12:20]You'd be ready to do it for whatever team you're cheering for.

[12:24]Good thing.

[12:25]I'm not a sports fan anymore and I don't have to watch any of this anymore.

[12:28]If you, if you cheer, if you cheer for the teams I cheer for, they never score.

[12:31]So you don't get a chance to sing the song anyway.

[12:32]So who cares?

[12:33]But the biggest gangster move ever was the Viking stealing Iceland's a skull chant.

[12:41]If you're in, if you're in the stadium, when they're doing that, it's phenomenal.

[12:46]It's the greatest thing ever.

[12:47]And they cut 100% just stole it from the country of Iceland, but it's hilarious.

[12:52]It's great.

[12:52]What's Iceland going to do to us?

[12:53]I mean, they stole the Viking nickname.

[12:55]I mean, like it doesn't mean it's maybe not even stealing.

[12:58]It's like, well, I'm pretty sure the football team had that first.

[13:01]Yeah.

[13:01]Like the true Vikings.

[13:02]If the Minnesota Vikings were actually started by the Vikings, a lot of people don't know

[13:06]that if actual Vikings are doing it, then you got to do it.

[13:09]I've heard of Jerry Burns.

[13:10]Yeah.

[13:11]Haven't you ever heard of Eric, the red McCombs?

[13:13]Um, and that's a good joke for about three people out there.

[13:17]That was good.

[13:18]I appreciate that.

[13:25]Wonderwall.

[13:25]If I could sing that song every day, I would, but I can't.

[13:28]All right, Russ, rolling, going, how's it going?

[13:30]Rob, I was going to complain about the fact that we just got snow today and, and talk

[13:35]about at what point do you need to just move away like Aaron did, but you guys brought

[13:39]up the term pumpkin spice latte, I believe earlier.

[13:42]So I feel like I need to pivot right now.

[13:44]I said pump in pump in my spice.

[13:47]That's what I said, technically.

[13:49]And I'm not happy that I have to repeat that.

[13:50]Well, then I will, I will pivot again.

[13:52]But when I heard pumpkin,

[13:55]pumpkin spice latte, I've never really heard that term before.

[13:58]I don't drink flavored coffees or whatever that even is.

[14:01]Yeah.

[14:01]But it's like, it's like a thing in society, Russell.

[14:04]Like you don't have to drink it.

[14:05]You've never heard of that before.

[14:06]There's a reason I'm still single.

[14:08]It's probably because of reactions like this to terms that are commonly known.

[14:11]I, that is wild.

[14:13]Chicks, chicks with big fluffy scarves and, and brown boots up to their knees.

[14:18]Love pumpkin.

[14:19]So here's why I bring it up is I remember a few years ago when I was doing the online

[14:23]dating thing, it wasn't going very well.

[14:25]And I, I reverted, I didn't have you guys to ask questions about this because I can

[14:29]do it on a, on a podcast and it's not so bad.

[14:31]But if I just asked you like as regular friends, it would feel so terrible to me.

[14:35]I can't, I can't have a regular conversation about that.

[14:37]But so I, I remember Googling one time, like, Hey, what is the best way?

[14:42]Like, what is the, what are the words you need to put in your profile or how do you

[14:45]need to like make a good profile?

[14:47]And I remember at one point reading this article about how rich the term pumpkin spice latte

[14:53]gets the most reaction.

[14:54]Or the most responses, but the second most responses were the words, Tuscany, Bermuda

[15:01]or Machu Picchu.

[15:03]So for a while, my go-to question and like the introductory moment of, Hey, I'm going

[15:08]to message some woman was where would you rather go on a dream vacation?

[15:12]Tuscany, Bermuda or Machu Picchu.

[15:16]Cause I figured if I combined all three words into one, I was guaranteed to crush it.

[15:20]And it failed miserably.

[15:23]You're like a mega, you're like the Megatron.

[15:24]Of dating.

[15:25]You've combined everything that's good about dating into one sentence and the women are

[15:29]helpless in front of you, Russell.

[15:31]It's almost unfair.

[15:31]Being efficient.

[15:32]That's just efficiency.

[15:33]The big problem was every time they would respond and they would say, well, I would

[15:35]love to have a pumpkin spice latte and Machu Picchu.

[15:37]And I was like, what the fuck's a pumpkin spice latte?

[15:39]And I never hear from him again.

[15:41]Yeah.

[15:41]Where, where is Machu Picchu?

[15:43]Do they, do they play with, do they open for the offspring?

[15:46]I love their song Wonderwall.

[15:48]Just mistake after mistake.

[15:49]You know, it's a good joke when I had to explain it immediately after the punchline, quote

[15:54]unquote punchline.

[15:54]Uh, yeah, I, um, fuck, I should be listening more and trying to go off what you said, Russell.

[16:01]I know what I'm going to say.

[16:03]Russell, I love, I love pumpkin spice coffee.

[16:07]I, the pumpkin spiced iced coffee right now at Starbucks.

[16:10]Oh my God.

[16:11]I'm going broke.

[16:11]I'm ordering them so much.

[16:12]Is it better than a shamrock shake?

[16:15]No, but I can, you, you can't go into work with a shamrock shake in your hand and look

[16:22]like a normal person.

[16:23]You look like a psychopath.

[16:24]But I can go in with a coffee all the time.

[16:26]That's rule number three while I'm still single.

[16:28]I got, but if you go in without deodorant on and holding a shamrock shake, then you're

[16:33]the stinky teacher with a shamrock shake.

[16:34]Does that, there's one cancelling chicken in a bucket and I got problems now too, because

[16:39]I am pretty sure that I am getting more and more lactose intolerant as I get older, but

[16:44]I am like, but I am like forgetting about it.

[16:47]Like just, just, I'll just forget and I'll order a latte and then I'll be at work and

[16:50]I'll be like Rob's Rob's discussion.

[16:52]No, no, no, no, no, no.

[16:54]You said you deleted it.

[16:55]You said you deleted them.

[16:56]Did you delete them?

[16:58]This is worse than Aaron.

[16:59]Rob talking about his intolerance of lactose is way worse than any feet discussion.

[17:05]And when we cut Aaron off all the time for saying stuff that we think is porn talk, Rob's

[17:12]discussion of his intolerance of milk products does not need to be on the podcast.

[17:16]How did way worse than Aaron become like the worst thing you could do on this podcast?

[17:20]Like everything's fine.

[17:21]As long as you're a great question, Aaron, we're all asking the same thing.

[17:24]You guys don't realize it because I have to edit this out, but the stuff I hear Aaron say

[17:27]on the podcast, I've edited out and make your sweet, sexy toes curl right up.

[17:31]I mean, it's just terrible, but I'm telling you, if you want to get lactose intolerant

[17:36]as you get older, a really cool job to have is a teaching middle school.

[17:39]That's really fun.

[17:40]It's like, it's like, Oh, when can I go to the bathroom?

[17:43]Oh, how about right in the middle of this class?

[17:45]Definitely nobody's going to notice.

[17:46]It's not a big deal.

[17:47]Come back.

[17:48]Just all sweaty.

[17:49]What's the deal with the iced coffees, Rob?

[17:53]You don't have hot.

[17:54]You, you, you've said this a number of times.

[17:55]You typically have ice.

[17:57]I have an iced coffee maker.

[17:58]It's so good.

[17:59]It's smoother.

[17:59]It tastes better.

[18:01]You can drink it like all the time.

[18:02]You don't need to like, you don't need to worry about it getting too cold.

[18:05]It just, I love iced coffee.

[18:07]If I could only have one drink for the rest of my life, it might be iced coffee.

[18:10]Iced coffees are like a milkshake.

[18:12]I went on a date once.

[18:13]So I'm not a coffee drinker.

[18:14]I've had less than probably five cups of coffee in my life.

[18:16]It's just not my thing.

[18:17]And I went on a date once and she wanted to go to a coffee shop and I was like, okay,

[18:21]I really do.

[18:22]I mean, I can't get drunk at this coffee shop.

[18:24]I don't know how I'm supposed to interact with you and make any sort of conversation.

[18:27]So, so I, I agreed to go, but I went to where things are going wrong.

[18:32]I've, I've, I've been on a date, I think at a coffee shop once or twice.

[18:35]And I ordered a hot chocolate once.

[18:37]And then the other time I did an iced coffee because I was told they're good.

[18:40]And it was essentially a milkshake, right?

[18:42]It's not, it's not coffee.

[18:43]It's a milkshake.

[18:44]Did you order a Frappuccino, Russell?

[18:46]I think you might've gotten a Frappuccino by accident.

[18:48]Is that possible?

[18:49]We started making iced coffee at home when our son was born three and a half years ago.

[18:53]And we've never stopped.

[18:54]Like, cause we were always afraid of spilling hot coffee on the baby.

[18:57]And now it's just like, I prefer iced coffee.

[18:59]Also use actual glacier ice or do you buy that ice from the store or what?

[19:03]Just straight from the tap, straight from the tap into the fridge and the ice trays.

[19:08]Yeah.

[19:09]But here, so I don't know what Matt's stuff, but you drink tap water.

[19:12]I don't know what Matt's sweat situation is.

[19:15]I think Matt is like a more naturally regulated person than the other three of us.

[19:20]But listen, I'm a sweaty guy.

[19:23]Like other men on this podcast might be.

[19:25]And well, there's a title for this episode, sweaty guy episode.

[19:31]I'm a wild and sweaty guy.

[19:34]I haven't learned that the iced coffee is always better.

[19:36]If you're in an airport, get an iced coffee.

[19:38]If you're going to work, get the iced coffee.

[19:40]Because otherwise I'm going to have the full on sweat from neck to waist on the back of my shirt.

[19:45]Like I can't do hot coffee in public.

[19:47]I've never ever had that.

[19:48]So that makes sense.

[19:50]If I had that, I'd be in your shoes.

[19:51]Yeah, iced coffee is way better for me.

[19:53]Hey, I'm a sweaty guy.

[19:55]And you know what's really fun being a sweaty guy?

[19:57]Once again, teaching middle schoolers.

[19:59]They definitely are chill about their teacher being super sweaty.

[20:01]Not a big deal to them.

[20:03]They definitely won't make fun of you.

[20:04]We may need to move on.

[20:05]Every time we bring up something, we bring up something that's bringing back a bad first

[20:08]date memory for me and this sweating thing.

[20:10]We got to move on, right?

[20:11]Let's get it.

[20:12]Let's move over.

[20:12]Let's keep going.

[20:13]Let's keep it going.

[20:14]All right.

[20:14]So I want to talk about my small penis.

[20:15]No.

[20:16]Why did Aaron laugh?

[20:23]He laughed so hard at that.

[20:24]I don't know.

[20:25]That's our bleep joke of the week right there.

[20:27]All right.

[20:28]That was Rob's bleep joke of the week.

[20:31]Oh, yeah.

[20:33]All right.

[20:35]Rolling going.

[20:37]Aaron, rolling going.

[20:37]How's it going with you?

[20:38]Wow.

[20:40]It's hard to transition, but I'm going to focus.

[20:42]It's going good with me.

[20:44]Like Matt, I'm also having trouble sticking to the list because there's so much good music

[20:49]out there.

[20:49]There's a brand new Sade.

[20:53]Box set that's out, which I've not purchased on vinyl yet.

[20:56]But the funny thing about this box set is that they went through an extensive remastering

[21:01]process, re-released everything, all six of Sade's studio albums on 180 gram vinyl.

[21:07]But it's also available on Spotify, which on the one hand is like, well, whatever, it's

[21:11]just streaming music.

[21:12]But on the other is like, oh, this is wonderful.

[21:14]Like, I'll just put this on at 5 p.m.

[21:17]And I'm set for the night.

[21:18]That's my music for the night.

[21:19]It's six studio albums.

[21:20]So that's great.

[21:21]I've been enjoying that.

[21:22]Is that okay?

[21:23]Is that a problem you have, Aaron, that you're running out of music on Spotify?

[21:25]Like you just don't have enough to listen to?

[21:27]I cannot imagine that's your problem at night.

[21:29]But the thing is, like, when there's infinite music out there, sometimes you run out of ideas

[21:33]for what to listen to.

[21:33]So this is great.

[21:34]Like, I don't need an idea.

[21:35]It's easy to run out of ideas when you don't listen to the top 500.

[21:38]You just skip them, right?

[21:40]It's easy to run out.

[21:40]Or the podcast.

[21:41]Listen, I'm going to be prepared.

[21:43]I've got some thoughts about this album.

[21:45]I promise you I'll be prepared.

[21:46]But I do get distracted.

[21:47]Aaron, do you ever have conflicts with your wife at home listening to music?

[21:53]Like, maybe too much Sade or something?

[21:55]Yeah, like this week, listening to this album, she's like, I don't want to listen to this

[21:58]ever again.

[21:59]The other one I've been trying to get into is the hot internet hip-hop sensation, which

[22:06]is Griselda.

[22:07]This is a hip-hop collective out of Buffalo, New York.

[22:11]And it's Benny the Butcher, Conway, and West Side Gun are the rappers.

[22:16]I'm losing track of the producer.

[22:17]Yeah, we know.

[22:18]You don't have to explain Griselda to us, please.

[22:20]I like them a lot.

[22:20]Is Griselda commonly known?

[22:21]Like, if I were to use that as my...

[22:23]If I were to use my intro on a dating app and say, hey, have you heard the new Griselda

[22:25]song?

[22:26]Like, would anyone know who I'm talking about?

[22:27]They did a live concert at Machu Picchu.

[22:29]You would probably find some ladies who like to get down, is what I'm saying.

[22:34]Probably on TikTok, huh?

[22:37]Is he on TikTok?

[22:37]Rob, do the kids at your school listen to Griselda?

[22:39]They're in New York, you know, sensation.

[22:41]I don't talk to them.

[22:42]The kids at school bully me because I'm sweaty and I'm going to the bathroom.

[22:45]I don't have time.

[22:46]I should have got the iced coffee.

[22:49]So that's it.

[22:50]That's how it's rolling going with me.

[22:51]When I'm not...

[22:53]Doing another scan through rumors this week, I've been trying to explore some other tunes.

[22:57]But like, Rosie, I was just going to say, I feel like the internet sensation artist is

[23:02]where I'm finally becoming an old man.

[23:05]Like, I refuse to get TikTok.

[23:08]We've been about 20 episodes of this, Matt.

[23:10]You were an old man long ago.

[23:12]I know.

[23:12]But like, you know, like, I don't mind, like, I love listening to Outkast and I love listening

[23:18]to some Kendrick Lamar and some of the stuff that I would be outside of what I would be,

[23:22]typically known to listen to, right?

[23:24]But like, some of, you know, when you've got all these artists that have got a bunch of

[23:28]exes on them and they're known because of their MySpace pages and, you know, their TikTok

[23:33]pages and things like that, I feel like that's where I've drawn the line.

[23:36]Like, I've never heard of anybody that you've said there, right?

[23:39]And they're not on the radio, but they're huge because of what they've done on YouTube

[23:43]or TikTok or any of these kind of things.

[23:46]And I feel like that's where I finally jumped the shark to being outside of kind of the

[23:50]what's hip now with it and wow.

[23:52]I think if you ever use the term hip, it means you're out of it.

[23:57]You were gone long ago.

[23:58]Yeah, that's true.

[23:59]That's true.

[24:00]Like, wasn't Hip to be Square the big song about 30, 40 years ago?

[24:04]Yeah.

[24:05]If you listen to the news.

[24:06]Who also recorded at the record plant in Sausalito, which I'm very excited to talk about.

[24:11]But there's another band, the Tragically Hip, out of Canada, which I've come to lately.

[24:18]They're, you know, they're called The Hip.

[24:22]And so I identify with those folks and I'm definitely not hip anymore.

[24:28]Yeah, if you use the word, you've used the word hip and the word folks within the last

[24:33]couple sentences, I think we've established where you're at in society right now, man.

[24:39]So what if I say, hey, I slipped in the bathroom because I'm lactose intolerant, folks, and

[24:43]I hurt my hip.

[24:44]You're saying that doesn't make me sound like a cool young guy?

[24:47]I don't like, by the way, that this episode is just about my lactose intolerance, Aaron.

[24:51]Thanks a lot.

[24:52]Yuki, bring it up.

[24:53]Once again, I'm curious how it's rolling going with Rob.

[24:57]That's what I want to know.

[24:58]How's Rob rolling going this week?

[24:59]I will say I am taking Muay Thai on the weekends, like as a as like a exercise thing.

[25:06]And so I am working out with a guy who is holding the bags for me and I'm under the

[25:11]Brooklyn Bridge and I am right next to the.

[25:14]Wait, wait, wait.

[25:16]You got to go under the Brooklyn Bridge.

[25:18]You can't rip Aaron and then not explain why you're doing Muay Thai under the Brooklyn.

[25:22]Well, this is a guy that we've been training with for a long time, but you got to be outside

[25:26]now doing this.

[25:27]You can't just be inside.

[25:28]So he has he runs like a Saturday lesson under the bridge.

[25:31]You know, it's me and Flea and Anthony Kiedis and those guys.

[25:35]And that's a cool hip reference.

[25:39]Yeah.

[25:40]And all the.

[25:41]Listen, I know.

[25:42]Richfield, Minnesota.

[25:43]I don't have to.

[25:43]I don't have to get that reference.

[25:45]But basically, I was thinking about it this weekend and I was like, you know, I'm such

[25:49]a competitive person and powerlifting means just aren't going on right now.

[25:52]And I'm not.

[25:52]I'm not good enough at weightlifting to actually be in a meet.

[25:54]I'm thinking about maybe just getting into a Muay Thai fight just to get the shit out

[25:58]of me.

[25:58]Like, I think that'd be fun.

[25:59]And the thing about Muay Thai is it's like kickboxing.

[26:01]OK, so, man, just a big head shake.

[26:03]OK, not supportive, man.

[26:04]But.

[26:05]You're right.

[26:06]No, no.

[26:06]Supportive.

[26:07]Rob, don't do it.

[26:08]Is this like an underground blood sport style?

[26:11]This is like this is like a.

[26:13]Yes.

[26:13]Back alley kind of Muay Thai fight.

[26:15]Is there headgear?

[26:16]The guy.

[26:16]Is there headgear?

[26:17]Yeah, there would be in like the smoker fight things.

[26:19]But the thing is about Muay Thai is that.

[26:21]The headgear is great.

[26:22]Well, a smoker fight?

[26:23]I need to hear.

[26:23]I need to know everything about this.

[26:25]Is that Muay Thai is not just kickboxing because you can also throw knees and elbows, which

[26:31]is what I was thinking about this week.

[26:32]And I was like, I kind of want to do this.

[26:33]And then I started working on my elbows and I was like, I was like, I cannot get hit by.

[26:38]Can you imagine getting hit by somebody's elbow and then having them knee you?

[26:40]I'd just be like, well, I'm done forever.

[26:42]Like I run it.

[26:43]I ran into like a table the other day on my hip and it hurts so bad for hours.

[26:48]Did somebody intentionally need me?

[26:50]No way.

[26:50]Forget about it.

[26:51]Plus, all the guys.

[26:51]I'd fight.

[26:52]I'd fight would be like six foot four.

[26:53]All these heavyweight guys.

[26:54]They'd be giant compared to me.

[26:56]It'd be a disaster.

[26:57]So.

[26:57]And what sort of venues are these fights occurring?

[26:59]And these are because I'm picturing Fight Club.

[27:01]I'm picturing, you know, you walk into a bar and then you go downstairs and then there's

[27:05]like a whole.

[27:06]Right.

[27:07]Finish him.

[27:08]Get over here.

[27:10]They actually used to have what they call these smoker fights somewhere in the city

[27:13]where you could just go and pay a little money and watch kind of semi mostly amateur guys

[27:17]fight each other.

[27:18]And the person is kind of insulting because the guy who trained us did tell my wife that

[27:21]like, oh, you are really good.

[27:23]You should come be in a smoker fight.

[27:24]And I was like, I would a humble break.

[27:27]I think that would be so hot watching my wife either just kick the shit out of some other

[27:34]woman or get kicked out of her by some other woman.

[27:38]It doesn't matter to me.

[27:38]I'm into it either way.

[27:39]You would be an amazing character on like Mortal Kombat 25 anniversary or whatever they're

[27:45]up to right now.

[27:46]I think you would be an awesome, an awesome Mortal Kombat character.

[27:49]It's me and Robocop and Rambo.

[27:50]Those are all characters now.

[27:51]And Mortal Kombat.

[27:51]Mortal Kombat.

[27:52]By the way, I do want to remind you that more Robocop did wrestle once in the WWE.

[27:56]You can look that up on YouTube.

[27:57]It's very, uh, it's actually WCW Rob, but I was thinking about my next joke.

[28:03]I wasn't really into it.

[28:04]Delete that.

[28:04]Delete that.

[28:05]I can't have any women ever hearing that.

[28:07]WCW is number 1 million on the things you can write on your dating profile to get likes.

[28:12]I was, the only thing was if I'm in a fight, I'm afraid that when somebody starts beating

[28:16]on me that I'll just have a rock hard erection the whole time.

[28:18]So I don't know.

[28:19]Like that.

[28:21]Seems like it might be a problem.

[28:22]And Aaron's nodding knowingly.

[28:26]So I don't know.

[28:26]All right.

[28:27]Let's get into it.

[28:29]We are over time.

[28:30]We are, we're talking about everything below the waist for me today, which I guess I'm,

[28:34]come on, sickos.

[28:35]Let's talk about rumors.

[28:37]Mortal Kombat would be, he would drink like a big gallon of milk and just like have a

[28:41]lactose intolerant moment.

[28:44]Finish him.

[28:45]That would be his fatality or whatever it's called on Mortal Kombat.

[28:48]It would not take a gallon of milk.

[28:49]It would take like one cup right now.

[28:51]All right.

[28:52]So we are talking about, let's switch gears.

[28:55]I don't know how to do this.

[28:55]Can we play some music or whatever and do a break or something?

[28:58]Uh, we are talking about the 1977 album, uh, this one Grammy of the year in 78.

[29:03]It's, it's pretty much everyone knows it's one of the greatest albums of all time.

[29:07]And actually this is now back on the rumors by Fleetwood Mac.

[29:11]It is now back in the billboard top 10 after that Tik TOK video of the guy with the skateboard.

[29:16]And we definitely were right on top of it and didn't miss it by about, Oh, four weeks or so to where we could actually get people to listen.

[29:22]Which was pretty cool.

[29:23]If anybody hasn't seen the video, you should look it up.

[29:26]Cause it's pretty cool watching that dude just skateboard down the road.

[29:29]I do have to say, I am suspicious that that video came out and then he happened to be drinking something with the label facing out.

[29:36]So you could tell exactly what he's drinking and the same week that Stevie Nicks was coming out with a new song.

[29:43]And all of a sudden the viral video involves Fleetwood Mac.

[29:45]He fully admits he puts out all that dude.

[29:48]He talked about it.

[29:49]He puts out all sorts of content.

[29:51]He's always looking to put out content and he finally hit on one.

[29:54]And so what the hell are you guys talking about?

[29:56]Aaron, you know what they're talking about?

[29:57]I, I do.

[29:59]I've not seen the whole video, but, um, isn't his name dog face, right?

[30:02]Like the guy, but he's probably like, we're talking about dog face.

[30:08]Yeah.

[30:08]But like the dude talks about, he's always trying to put out content.

[30:11]Just it's a viral sensation on the Tik TOKs.

[30:15]That's sick.

[30:16]I can't imagine just working to put out content, no matter who's listening or watching.

[30:21]Uh, so rumors by Fleetwood Mac is actually, I think this is really interesting.

[30:24]It's actually one of the top selling albums of all time.

[30:27]Okay.

[30:27]It is behind E uh, Michael Jackson, thriller, the Eagles, greatest hits, uh, Shania Twain.

[30:33]Uh, and it is ahead of, it is ahead of Whitney Houston, ACDC back in black, by the way, Whitney

[30:39]Houston, the soundtrack to the bodyguard, uh, pink Floyd and the BG Saturday night fever.

[30:45]It is ahead of all those albums, but to really talk about this album, I just want to put

[30:48]it in context real quick.

[30:49]I think the best thing to think about with the.

[30:51]The band Fleetwood Mac, which, uh, we have the, the members, Mick Fleetwood, Christine

[30:55]McVie, John McVie.

[30:57]I'm not sure if I'm saying that right.

[30:58]And then they brought in, they, the, the, the members are always changing, but they

[31:02]brought in Lindsey Buckingham on guitar and Lindsey Buckingham came in and said, I'll

[31:06]be in the band in one, one condition.

[31:09]You've got to take on my girlfriend, Stevie Nicks.

[31:12]She's also a musician with me.

[31:14]We're, we're in love and we're going to be together forever.

[31:16]So they recorded their first album together named, uh, Fleetwood Mac.

[31:21]It's actually Fleetwood Mac's 10th album.

[31:22]Their first one was also named Fleetwood Mac.

[31:24]It's very confusing.

[31:25]And then everyone just broke up at once before this album is basically what happened.

[31:29]They all broke up and basically, uh, they started writing songs about how much they

[31:34]hated each other, which is what every song on this album is about is how Buckingham wrote

[31:38]secondhand news, never going back again and go your own way about Knicks.

[31:41]Generally, my comments about every podcast back to Rob is how much I hate all of you

[31:46]guys.

[31:46]So just Jimmy, just take that from the top.

[31:50]Secondhand news.

[31:50]Secondhand news is about Stevie Nicks.

[31:52]That, that's pretty right.

[31:54]That is fucking gangster.

[31:56]What about, what?

[31:56]That's awesome.

[31:57]Yeah.

[31:57]You're a secondhand news.

[31:59]This is the original, this is the original fake news.

[32:02]Secondhand news is the original fake news.

[32:04]That's awesome.

[32:05]Ah, that's fake news.

[32:07]Ah, you're a secondhand news.

[32:08]That's awesome.

[32:09]What if while you were breaking up with somebody, you were in a band with them and they wrote

[32:12]never going back again.

[32:13]Like I hang out with you guys like two hours a week and we talk and we've had our conflicts

[32:17]and whatever, but we're not like having sex with each other.

[32:20]Or we're not seeing each other in person.

[32:22]Can you imagine being together in person recording this and we're all having sex with each other?

[32:25]It would get so confusing.

[32:26]Well, I got Russell.

[32:30]No, I'm not doing this again.

[32:32]If you were trying to have sex with Rob, you'd have to do it in between lattes also.

[32:36]And you got to space it out.

[32:37]This is not what we're talking about.

[32:40]You started it, man.

[32:41]I don't like this.

[32:42]I would have started a podcast many years ago if this was all I needed to like improve

[32:46]my love life.

[32:47]I mean, it's just as easy.

[32:49]So the McVeigh's work.

[32:50]Where the keyboard player and the bassist, they were married to each other, but the moment

[32:55]they started recording this album, they were not on speaking terms.

[32:58]And the reason is, is that Christine McVeigh just happened to be banging the lighting director

[33:03]of the band at the time.

[33:04]After four years earlier, she had also dated the sound engineer of the band.

[33:08]So then, okay, now this is where it gets a little confusing.

[33:11]Lesson number one.

[33:12]Hey, don't date the coworkers, right?

[33:13]Don't date the lighting guy.

[33:15]Oh, yeah.

[33:16]Right.

[33:16]Aim higher.

[33:17]Never get high on your own supply, right?

[33:20]Oh, can you imagine?

[33:20]Can you imagine being the lighting guy in the band and all of a sudden you're banging

[33:23]one of the members of the band?

[33:24]You'd be like, I'm never getting fired ever.

[33:25]This is great.

[33:26]This is wonderful.

[33:26]I said a huge crank.

[33:27]So then.

[33:28]Wow.

[33:29]Like, yeah, bleep that shit.

[33:33]In the lighting industry, that's known as a switch.

[33:35]So then this is where it gets confusing, right?

[33:40]Is that Stevie Nicks broke up with Lindsey Buckingham, which had happened right before

[33:43]this album.

[33:44]And by the way, they all kind of lived together to record this album in a very small space.

[33:48]And then Stevie Nicks started dating.

[33:50]And then Stevie Nicks started dating the drummer, Mick Fleetwood, but when she was dating Mick

[33:54]Fleetwood, she was also dating Don Henley at the time.

[33:57]And Mick Fleetwood was married.

[33:59]What?

[34:00]So then Mick Fleetwood, Mick Fleetwood dumped his wife at the time and they got divorced

[34:07]and Mick Fleetwood broke up with Stevie Nicks.

[34:10]And then Mick Fleetwood started dating Stevie Nicks, best friend.

[34:13]And she found out from her friend's husband who said, just to let you know, my wife and

[34:18]your ex-boyfriend and drummer in the band, by the way, currently.

[34:20]They're all still in a band together.

[34:22]Not now, but they were then.

[34:24]They are now living together.

[34:26]And she found this out three months.

[34:28]Rob, Matt, and Aaron, I have a major announcement to make about my dating.

[34:31]I've been seeing all your wives for like the last three years.

[34:34]Oh, that's why she's so happy recently.

[34:36]But then.

[34:40]I don't know if I can take this, Russell.

[34:41]Just to let you know is that they, they, they, she found out that her best friend was now

[34:47]dating Mick Fleetwood three months into an album recording.

[34:50]That was a total of a 13 month recording session.

[34:53]So they had to hang out for that long where everybody's just cheating on each other and

[34:57]everybody's mad at each other.

[34:58]And all that stuff is really what, what fuels this whole album.

[35:02]Didn't Bob Dylan record his albums in like two nights or like a weekend or something?

[35:06]Yeah, but he wasn't holed up in Sausalito doing nitrous or whatever.

[35:10]Like he was, you know, he probably had to pay for studio time.

[35:13]This was like they're at the record plant in Sausalito.

[35:15]They probably were like sailing over to, you know, Angel Island or whatever and camping

[35:19]overnight and then like coming back.

[35:20]And doing Nas.

[35:21]That's the difference.

[35:22]He was doing speed.

[35:23]He got everything done real fast.

[35:24]Sausalito sounds way more cooler than, than Bermuda, Machu Picchu or Tuscany.

[35:29]I'm going to add Sausalito to my, my, my future questions.

[35:32]I have a lot to say about Sausalito as we get into this album.

[35:34]Of course you do.

[35:36]It's not that far from me.

[35:39]Like I've been there a bunch of times.

[35:40]It's just like a little tourist stop off the ferry now.

[35:42]I didn't even know it was such a drug haven back in the day.

[35:45]I heard that lighting guy had a big Sausalito.

[35:50]Now we can't edit that out.

[35:51]What's strange to me is I don't hear any of that.

[35:54]Like this sounds, I mean, it does sound like a, it sounds like an album that like a bunch

[35:57]of swingers would have put on and like a swingers party in the seventies.

[36:00]So I get it.

[36:01]I get like, it seems like a wife swapping album.

[36:03]How do you know?

[36:04]I'm just saying that's what it sounds to me.

[36:06]Like what a wife swapping album would sound like, but it doesn't sound angry.

[36:09]I don't hear anger.

[36:11]It just sounds like people who were like, Hey, let's get together and smoke some dope

[36:14]and trade some stuff.

[36:15]Listen, any of the wife swapping things I've been to, this is.

[36:20]I love when Rob wears his full on honky talk man outfit and brings his guitar to the wife

[36:30]swaps.

[36:31]It's fantastic.

[36:32]Any excuse to play that sound clip.

[36:34]I will do it.

[36:34]I will not hesitate at all.

[36:36]Should we get into this album?

[36:37]I'm telling you, this album is so good.

[36:40]I thought it was so.

[36:42]It's like your greatest hits.

[36:43]It really is.

[36:43]And the great thing is, is it's like 40 minutes long.

[36:46]I could listen to this album like three times before work even started.

[36:49]I listened to it.

[36:49]It's only 40 minutes.

[36:50]There were several times I forgot.

[36:52]I was listening to music when listening to this album.

[36:54]It was like watching Wesley Johnson play basketball.

[36:56]And the thing is, is that I would just hold on, hold on, hold on.

[37:00]I guarantee in the history of the world, Wesley Johnson, whatever you just said has never come

[37:07]up in a pot.

[37:08]Like this is the first time he's ever come up on a ball.

[37:10]That is true.

[37:11]That's what I was going to go.

[37:12]Can't be the first time.

[37:13]He's a very talented basketball player.

[37:16]Oh, and he has all of the tools.

[37:18]Where is he?

[37:19]Where do you go to college?

[37:19]This is Sarah.

[37:20]His guy, he went to Iowa state first and then Syracuse.

[37:23]And then he was drafted by the Timberwolves.

[37:25]What?

[37:25]Number four overall ahead of Syracuse guy.

[37:27]And he's a very talented guy.

[37:29]He's got all of the tools.

[37:30]I heard that lighting guy has a big Wesley Johnson.

[37:33]And that's the running bit of the week.

[37:38]Oh, this album ends up on like a, you know, top 50 lists of like top albums for audio

[37:43]files a lot because people really respect the sound of the album.

[37:46]And I think I do too.

[37:47]I don't know that I have a good enough.

[37:49]Yeah.

[37:50]I just listened to it.

[37:50]My phone, who cares?

[37:51]Sound system to hear it.

[37:53]Right.

[37:53]I mean, but I don't, I don't know if I, you know, get that, but there are times when I'm

[37:56]listening where I like my mind goes elsewhere and I forget that I'm listening to music,

[38:00]but we'll, you know, talk about that as it goes.

[38:02]But I think they were using the best tools available.

[38:06]And then sometimes it just kind of like, yeah, you're listening to music.

[38:09]What are you listening to?

[38:10]What, what are you, what do you, how do you forget that you're listening to music?

[38:13]Like, do you just go, whatever else is going on in my head?

[38:15]I'm thinking about the rest of the world, you know, who's in my house?

[38:18]Who are these people?

[38:19]Oh, that's right.

[38:19]It's a band I'm listening to.

[38:20]I only have those pumpkin spice lattes I get to, yeah.

[38:23]That's like me.

[38:26]You forget you're listening to music.

[38:28]I forget that milk gives me unbelievable bowel problems.

[38:32]It's the same thing.

[38:33]It's not a big deal.

[38:34]Robin is calling that.

[38:35]I think there are, I mean, I do, I liked this album more than I expected.

[38:38]I think there's great tunes on here, but definitely there are times where I'm just like, you guys

[38:41]lost me.

[38:42]Oh, let's get into it.

[38:44]This is a phenomenal starting, starting song.

[38:47]Let's get to secondhand news, Rob.

[38:48]Bangs right away.

[38:49]Go ahead.

[38:49]All right.

[38:50]So let's get into it.

[38:50]Let's get into the first album.

[38:52]I got a long set.

[38:53]All right.

[38:53]I love it.

[38:54]I got to cube your town.

[38:57]All right.

[38:57]I'm only going to play that two more times today.

[38:59]And it has nothing to do with what we're talking about.

[39:01]It's just on the board.

[39:02]Do I need to take me, that picture of me with the Honky Tonk Man suit on off my Bumble profile

[39:08]or not?

[39:08]No, that should be front and center.

[39:09]Honky Tonk Man is number four on the list, actually, after Machu Picchu.

[39:12]And you started that from jump, right?

[39:16]I mean, that was the start of the song.

[39:17]That just kicks off right away.

[39:19]That's awesome.

[39:20]I'm not going to lie.

[39:20]Russell told me four seconds in, so blame Russell.

[39:22]Okay.

[39:22]I don't want to hear it from the beginning.

[39:24]No, but I think that's the interesting thing about it, is that from the beginning, they

[39:29]kind of let it surprise you a little bit.

[39:31]So that's secondhand news.

[39:34]That's a song written by Lindsey Buckingham, again, about Stevie Nicks, right when they

[39:38]broke up.

[39:38]Fake news.

[39:39]And then she has to also sing on the song.

[39:41]And she said a lot of these times, like, yeah, I have to sing these songs over and over.

[39:44]And he's basically saying, like, you're talking up, you're shacking up with anyone.

[39:47]She goes, he knew that wasn't true.

[39:49]It was just a nasty thing to say.

[39:50]And I had to sing it over and over and over.

[39:53]It could be a nightmare.

[39:54]Could you imagine, like, your whole life, you go on these concerts, and you have to

[39:57]perform these songs where you're singing about the person who is standing 10 feet from you?

[40:01]I couldn't imagine working with somebody and, like, trying to create art with somebody,

[40:06]and then just constantly, like, saying bad things about them and making fun of them.

[40:10]It's disgusting.

[40:11]Matt and Aaron and I do it pretty well on our separate text chain about you, Rob.

[40:16]It's not that bad.

[40:17]Oh, no.

[40:18]It goes over pretty easily, actually.

[40:20]The second text chain turns into a second podcast.

[40:22]Nobody knows how to edit it.

[40:24]All right.

[40:25]That part is true.

[40:28]Matt and Aaron, do not bring up that second podcast.

[40:29]Do not bring that up right now.

[40:31]Rosie, do not tell Rob your skills.

[40:34]The Wesleyan better than he is.

[40:35]The Wesleyans did it better.

[40:36]Oh, yeah.

[40:37]Wesley Johnson did it better.

[40:39]The opening line to that song is, I know that there's nothing to say.

[40:43]Someone has taken my place.

[40:45]I mean, it's just, and it sums up this album perfectly, what it's about, what the thing is.

[40:48]And then it's also, they did this thing.

[40:50]You hear the voices during the guitar solo where they're like, bop, bop, bop, bop.

[40:53]And it's where they're using their voice as a bass line.

[40:56]And you'll hear that over and over where they're using kind of different instruments to make different sounds on the album.

[41:00]I just think it's so good.

[41:01]Yeah, that's awesome.

[41:03]Dreams, number two, written by Stevie Nicks, sung by Stevie Nicks.

[41:07]Maybe the most popular song, right, out of the whole album?

[41:14]This did make it to number one on the Billboard.

[41:16]It made it to number one on the Billboard hits.

[41:18]This is their highest charting single.

[41:20]They've ever had.

[41:21]Obviously, it got to number one.

[41:22]But this was the second single they released off this album.

[41:27]This was not the first single.

[41:28]So this is another time where they made a bit of a mistake.

[41:30]Never go out with the best.

[41:31]And it hit number one again, guess what year?

[41:34]2020.

[41:35]Probably one of the most fun years we've had lately.

[41:37]This song hit number one again after that TikTok video.

[41:40]We're talking about TikTok and us not being cool and knowing the music on TikTok.

[41:46]Guess what?

[41:47]We are cool.

[41:48]We do know the music on TikTok.

[41:49]This got back.

[41:50]This got back to number one.

[41:51]And we're doing a freaking podcast about it.

[41:52]Who, who, who, who?

[41:54]Okay.

[41:54]And then when I did the who, who, who with my arms, that made me not cool once again.

[41:58]Popping a wheelie in the zeitgeist.

[41:59]We do have to say, by the way.

[42:01]Did you just do the Arsenio Hall thing from like 1992?

[42:04]And by the way, if you do that, middle schoolers will make fun of you because they have no idea what you're doing.

[42:08]I did not listen to this album on TikTok, but I did listen to it on vinyl.

[42:13]Yes.

[42:14]My mom also had Rumors by Fleetwood Mac on vinyl.

[42:17]So while it may have been popular now, it was also on vinyl.

[42:20]It was also popular 50 years ago whenever my mom bought this record.

[42:23]And like I said, this is, this comes up as like, this is a great test of your sound system.

[42:27]Like if you're a sound nerd, like this is the album to put on.

[42:30]I don't totally get it, but that's what I read on the internet.

[42:32]Look at the cover of that album, Russell.

[42:34]There's a man and a woman.

[42:37]Do you think it's weird that the guy looks like he has two big balls hanging down?

[42:42]That's the only thing I could see when I see that cover.

[42:44]Show that cover to the Zoom.

[42:45]Look at these Wesley Johnson hanging down there.

[42:49]There are definitely two.

[42:50]Two big balls hanging right down from his Wesley and his Johnson.

[42:53]In the business, we call that a Fleetwood Mac.

[42:59]All right.

[43:01]This is Never Going Back Again, written by Lindsey Buckingham, sung by Lindsey Buckingham.

[43:06]And if you notice, there's this very bright sound, right?

[43:09]That is because he, again, this is a post breakup song, but he wrote, they restrung his guitar every 20 minutes when they were recording this song.

[43:17]So listen to it.

[43:20]Are you listening to it?

[43:20]I'm listening.

[43:22]So that's from some movie, and I can't remember which movie it's from.

[43:26]I think this album is sequenced really well, and I think it's a bold move to put this number three because it's not an anthem.

[43:32]It's not a loud in your face track, but I think it's musically one of the most interesting, and it's cool that they put it between dreams and don't stop.

[43:41]So I think it's a, you know, this is a, to me, I don't love this album.

[43:45]We'll talk about that later, but I think it's impeccably sequenced.

[43:47]You dumb shit.

[43:48]I'll tell you, you're right, though.

[43:50]That, by the way, those are two great sentences to put next to each other.

[43:53]Hey, by the way, impeccably, I'm going to have to add that to my profile.

[43:57]That sound guy's got a big impeccably.

[44:00]So here's the thing is that, fuck, oh, yeah, this is a perfectly put together album.

[44:07]I think front to back, like the beginning is a banger.

[44:10]The first song on site two is a banger.

[44:12]It ends with a banger.

[44:13]It's got the bangers in all the right spots where you possibly want it.

[44:16]You start off strong, and you kind of come down.

[44:20]And then you kick back up again.

[44:22]Yeah, no, it's great.

[44:23]I think it's got great flow.

[44:24]Yeah, I love it.

[44:26]All right, next up.

[44:27]Hey, guys, Greenlight, don't stop.

[44:30]This is the first song on here written by Christine McVie.

[44:32]This was the third single, and it got all the way to number three on the charts.

[44:37]And this is about her divorce from the bass player in the band.

[44:39]Think about that.

[44:40]Before we get into the song, like, why does Christine McVie never get, like, the credit?

[44:46]I feel like people only know Fleetwood Mac for Buckingham.

[44:50]And Stevie Nicks.

[44:51]Like, she's saying or put together a lot of these songs, right?

[44:55]Her name's not Fleetwood.

[44:58]Yeah, her name's not Mac, and she's not Stevie Nicks.

[45:01]Aaron, what's your impression of that song?

[45:04]My thing about Don't Stop is it's the reason that I've never liked Fleetwood Mac.

[45:09]And I don't want to get political on the podcast.

[45:14]Because I think it's a good song.

[45:17]I think, I don't understand it.

[45:19]It seems like it's a good song.

[45:20]It seems like it's a good song.

[45:20]It seems like it's a good song.

[45:20]It seems like it's a good song.

[45:20]It seems like it's a good song.

[45:20]I think the vocals are great.

[45:21]One of the things I think about this album is that I don't think that the drums and the

[45:27]vocals ever hit the highs at the same time.

[45:30]So I think the vocals on Don't Stop are great, and I think Fleetwood was just completely

[45:35]mailing in the drums on this one.

[45:37]Can you explain that just a little bit?

[45:38]I don't get, I mean, I kind of get what you're saying, but what does that mean?

[45:41]They don't hit the highs at the same time?

[45:42]I think that Fleetwood's best drumming appears on other tunes.

[45:49]Like, I think he's really good.

[45:50]He's really good on Go Your Own Way, a couple of other tracks, and I think his drum work

[45:56]on Don't Stop is just, like, super boring, and the vocals on Don't Stop are rad, but

[46:05]for me, I just associate Don't Stop with the Clinton campaign, and I don't want to, like,

[46:10]give away my political leanings, but I was the kind of guy who was, like, really into

[46:14]defending Bill Clinton back in the day, and now I realize, like, that's not a good thing.

[46:20]That's not a good look.

[46:20]Like, he's an actual crappy person.

[46:22]What you're referring to, Aaron, is in 1992, Bill Clinton used Fleetwood Mac in this song,

[46:30]Don't Stop, Thinking About Tomorrow, as his kind of campaign song, is what you're saying, right?

[46:35]That's what I'm saying, yeah.

[46:36]And so for me, that's what I associate it with, you know, mentally, emotionally, right?

[46:39]And one thing that was interesting is he started using this song, and Chrissy McVie actually

[46:45]said, hey, enough.

[46:47]I wrote this song.

[46:48]You cannot use it.

[46:50]So eventually, though, they re-recorded this song when Clinton was elected, and so they

[46:56]re-recorded it just for his election, but it made me think, I wonder what the best presidential

[47:03]campaign songs ever are.

[47:06]So I'm going to give you guys a list and see what you think.

[47:08]I'm curious, too.

[47:09]Yeah, I'm definitely curious about this.

[47:10]It's, it's, it's time for another of the best.

[47:20]What I wanted to do is, given that this podcast is coming out on Election Day, I thought it

[47:28]would be appropriate for us to talk about the greatest election campaign songs ever.

[47:33]Wow, it's her Election Day pod.

[47:34]This is great.

[47:35]I think one of my favorites was the other song Bill Clinton used.

[47:38]I don't know if he can play that on a saxophone again one more time.

[47:46]Okay, Russell, be funny.

[47:49]So it's interesting.

[47:51]So I'm actually, I'm really a big, I love going back and reading about presidents.

[47:56]That's one of my big hobbies is reading a biography on every president.

[47:59]So it's interesting that William Harrison actually inspired the most well-known political

[48:04]campaign song ever.

[48:06]This was in 1840, and this was before there were like parades and campaign songs and all

[48:12]this thing.

[48:13]And he started having these songs, and they would play this song, Tip a Canoe in Tyler

[48:18]2, during his campaign.

[48:19]And this was actually a song about this great battle he had won at Tip a Canoe, and then

[48:29]Tyler 2 was referencing his running mate, John Tyler, who eventually became president.

[48:34]And so the interesting thing about Harrison is he actually walked through terrible weather

[48:39]to his inauguration and either caught typhoid fever or pneumonia and ended up dying 31 days

[48:46]into his presidency.

[48:48]So John Tyler became president.

[48:49]So John Tyler became president 31 days in.

[48:51]He is the shortest-serving president of all time, but one of the most famous songs ever

[48:56]about presidential campaigns is Tip a Canoe in Tyler 2.

[48:59]So did you read that autobiography like in a night?

[49:02]Is it like five pages long?

[49:03]It's just like, yeah, he died.

[49:04]And 31 days per day.

[49:08]That would be a real bummer, wouldn't you?

[49:11]You're like, I'm president.

[49:12]I'm dead.

[49:12]Now, well, it's a bummer.

[49:13]So on my other podcast I do called They Might Be Giants Did It Better, we find songs that

[49:19]they might be giants did it better.

[49:19]They Might Be Giants also covered.

[49:20]And believe it or not, a song from 1840 is also a song that They Might Be Giants covered.

[49:25]See if you think They Might Be Giants did it better.

[49:28]Oh, who has heard the great commotion, motion, motion, all the country do?

[49:35]It is the fall of the world.

[49:37]What, I'm in a soccer match?

[49:38]Everybody now.

[49:40]They like Tyler 2.

[49:41]Tyler 2.

[49:42]It's kind of some Nine Inch Nails kind of production there with like the synths and

[49:46]the dark, you know, minor keys.

[49:49]Yeah, They Might Be Giants are the best.

[49:50]Go ahead, Russell.

[49:51]So anyways, presidential campaign songs became a big thing further and further on.

[49:55]But if you jump about 100 years further, we got to go to JFK.

[49:59]1940.

[49:59]Huh?

[50:01]1940 would be 100 years later.

[50:03]I did the math in my head.

[50:04]We'll go to 120 years later.

[50:05]In 1960, when JFK was running, and this is really interesting actually because he actually

[50:12]had his campaign song was done by Frank Sinatra.

[50:14]And I believe that Frank Sinatra and JFK probably had the same kind of.

[50:19]Interests in life, if you will.

[50:21]So, check out this song that, check out this song that Frank Sinatra redid, which was essentially

[50:26]the campaign song for JFK in 1960.

[50:29]Jack, Jack is on the right track, because he's got high hopes, he's got high hopes,

[50:44]1960.

[50:45]Russell, I was going to say they probably had the same bosses.

[50:49]You said some interests, so then we know what we're talking about here.

[50:51]One of them died of old age, one of them died of something else, you know?

[50:56]Yeah.

[50:56]Bill Clinton, when we talk about him using this Fleetwood Mac song, it was kind of a very

[51:01]popular, it was not as popular at the time, but he made it popular again.

[51:05]But I wanted to take you through the three people that he ran against when he ran for

[51:09]reelection and tell you what they were using as campaign songs.

[51:13]So the first one was George H.W. Bush.

[51:17]And here's what he was using for his campaign song.

[51:19]And I bet you can see why Bill Clinton maybe won the election, "Woody Guthrie, this is your

[51:24]land."

[51:25]This is, I mean, Russell, you can't play this and ask me not to get political.

[51:33]Go for it.

[51:34]A member of the Bush family was using "this land is your land."

[51:37]Yes.

[51:38]Like, irony doesn't even begin to touch what we're talking about here.

[51:42]Point is though, I think-

[51:43]A lot of people would say they're patriots.

[51:44]I don't know.

[51:45]Without getting into politics, I think you could say like, this song is so square compared

[51:48]to this Fleetwood Mac song, correct?

[51:51]I'll agree for the sake of the list.

[51:55]This song is one of the great songs I think ever written about equality and belonging

[51:59]in America.

[52:00]Yeah.

[52:01]Listen, when he's talking about this land is your land, he's talking about the oil underneath

[52:03]Kuwait.

[52:04]And he's like, this land is actually my land.

[52:06]So sorry about that.

[52:07]So Clinton defeats Bush, but also, do you know who else he defeated in that year?

[52:11]'92.

[52:12]Let me finish.

[52:13]Let me finish.

[52:14]Ross Perot?

[52:15]H. Ross Perot was a third party candidate and he was one of the first third party candidates.

[52:18]He was one of the first third party candidates to be on the ballot in all 50 states in '92.

[52:23]And Perot had this really crazy campaign where he would buy these infomercials and essentially

[52:29]do these weird commercials about the economy.

[52:33]But at one of his campaign rallies, he essentially said, "Hey, this campaign is kind of crazy,

[52:38]and I'm going to introduce you to my new campaign song, 'It's Crazy' by Patsy Cline."

[52:45]Why would this be a campaign song?

[52:46]Now, this would make a good song.

[52:48]A soccer song?

[52:49]I just don't know about a campaign song.

[52:51]I mean, listen to this.

[52:52]I would sing this as a soccer song.

[52:54]I agree with you, Rob.

[52:55]I mean, it fits in with everything else the MLS is doing, so.

[53:00]Also, wasn't this written by Willie Nelson?

[53:03]It was redone by Willie Nelson, but he had the Patsy Cline version played, and he said

[53:08]that at one point, there are millions of crazy people in the country, and I'll say tomorrow,

[53:13]it's going to be crazy at the polls, and it was not crazy in H. Ross Perot's favor.

[53:18]I can't believe that a president playing and saying, "Oh, here's my theme song," and it's

[53:21]crazy, and people are like, "Man, I don't know if I'm going to vote for this person."

[53:24]That does not seem good.

[53:25]Well, there's only one more on the list, and so we've got to-

[53:28]You should have workshopped it.

[53:29]We've got to jump forward four years, because he had beaten Bush, he had beaten Perot, and

[53:33]he was running for re-election.

[53:34]At the time, do you guys remember who he was running against?

[53:37]Bob Dole.

[53:38]Bob Dole.

[53:39]So, Bob Dole actually co-opted a song by Sam and Dave called "Soul Man," if you guys

[53:46]remember this.

[53:47]Whoa, what?

[53:48]He changed the lyrics from "Soul Man" to "Dole Man," which feels bizarre.

[53:53]No.

[53:54]"I'm a soul man."

[53:55]"Dole Man."

[53:56]How much did they have to pay to do that?

[54:00]Yeah, and did Sam and Dave give their blessing?

[54:02]Just Sam.

[54:03]So, at the time, Sam Moore was a member of the rock duo Sam and Dave, and he adapted

[54:08]this song, and I actually could not find the new version of the song with the Bob Dole,

[54:13]because it's been erased from the internet, because they got sued for it, but the song

[54:18]was originally written by David Porter and Isaac Hayes, which I thought was super interesting,

[54:24]and it made it to number two on the Billboard Top 100 for three weeks in 1967.

[54:29]So, eventually, this guy comes, one of the singers changes the lyrics, and then he gets

[54:35]sued for it, of course, because he didn't own the rights for it.

[54:39]The record company owned the rights for it, but eventually, they stopped playing it, but

[54:43]the coolest thing about it is, an article at the time said, "Connecting Bob Dole to

[54:48]Soul Man is like connecting the mass murderer, Jeffrey Dahmer, to the song, Feelings."

[54:53]I've always been jealous of that band name, just Sam and Dave.

[54:59]Can you imagine being in the room when they pick that name?

[55:01]Just like, "Hey, what should we call ourselves, Sam?

[55:03]I don't know Dave."

[55:04]What did you call your famous radio show in college?

[55:09]Oh, the Sam and Dave show, of course.

[55:11]I don't know.

[55:12]That's totally different.

[55:13]I think Bob Dole does this, and Bob Dole does that.

[55:16]It's not something Bob Dole does.

[55:17]It's not something Bob Dole does.

[55:18]It's not something Bob Dole's ever going to do.

[55:19]It's not something Bob Dole will ever do.

[55:23]By the way, I just edited out another five minutes of Russell's Bob Dole impression,

[55:26]so that went on for quite some time.

[55:27]It was very good.

[55:28]It went on for a long time.

[55:30]You can find that on The Best Of.

[55:32]All right.

[55:33]You can go your own way.

[55:38]Fifth song in the album, written and sung by Lindsey Buckingham.

[55:44]Rosie, could you get back in political there?

[55:48]Yeah, thanks.

[55:49]I did my best.

[55:50]I did my best.

[55:51]This is the first single off the album, and again, think about you have to sing a song

[55:58]with your band that you just broke up with this guy, and the lyrics are, "Loving you

[56:03]isn't the right thing to do."

[56:06]But this, I think, is what you're talking about, Rosie, with the drums, right?

[56:09]The drums here were inspired by the Rolling Stones' Street Fighting Man.

[56:12]Yeah.

[56:13]I like his work here a lot better than on Don't Stop.

[56:17]It's much more interesting.

[56:19]You're totally right.

[56:20]Can I ask a question?

[56:21]No.

[56:22]I mean, this kind of comes back to, who did we have the number three album, Blue?

[56:26]Joni Mitchell.

[56:27]Joni Mitchell, right?

[56:28]Like, she's got to sing about her giving up her child.

[56:29]Feelings.

[56:30]Feelings.

[56:31]Feelings.

[56:32]Feelings, man.

[56:33]They're called feelings.

[56:34]I know.

[56:35]But like, this one still.

[56:36]Like, how much money is Stevie Nicks getting paid here, and all these people getting paid,

[56:43]to continually sing this stuff?

[56:44]When do you just give them the big middle finger and say, "Screw you.

[56:45]Screw you.

[56:46]Screw you guys.

[56:47]I'm gone."

[56:48]I would argue that this is all she got paid is for singing these songs like this.

[56:52]Yeah.

[56:53]That's why they're so good is that they're about real stuff.

[56:54]I know.

[56:55]But like, they're phenomenal songs.

[56:56]But like, you know, we keep talking about like, "Oh, you got to keep talking about this."

[57:00]But like, I mean, it made their life, right?

[57:03]I mean, it made Fleetwood Mac.

[57:04]It made Stevie Nicks went on to a phenomenal solo career and all this stuff.

[57:08]And I mean, it's not that bad, right?

[57:10]I mean.

[57:11]Yeah.

[57:12]But if you don't sing about stuff like this, you get songs like, "I want candy."

[57:14]Right.

[57:15]Because you're going to get like, you're just going to get nothing songs.

[57:17]I mean, I get.

[57:18]Now, I couldn't possibly imagine going into some art form and talking about something

[57:22]personal like, "Oh, I don't know, lactose intolerant or penis size or whatever."

[57:26]But I think that if you're truly a brave artist, it's probably what you do because you know

[57:31]this is what you're going to be famous for.

[57:33]Yeah.

[57:34]Oh, yeah.

[57:35]Totally.

[57:36]Or maybe you get yourself locked into a certain lifestyle.

[57:37]You know, you bought a Cadillac.

[57:38]You bought a couple of houses.

[57:39]All of a sudden, you're out there.

[57:40]Yeah.

[57:41]You're out there on tour.

[57:42]You got to sing about.

[57:43]Right.

[57:44]And you just keep your personal life out there because you leverage yourself to a point

[57:48]where you got to do it.

[57:49]Like, who knows?

[57:50]Right?

[57:51]You know what?

[57:52]You guys are right.

[57:53]I am going to keep drinking milk.

[57:54]All right.

[57:55]Songbird.

[57:56]All right.

[57:57]Now, this song is very boring to me, but I will say it's one of the few songs they recorded

[58:02]in an auditorium and they set up 15 microphones around the auditorium to get the sound, which

[58:06]I think what Rosie's talking about, yeah, were these guys all taking nitrous and standing

[58:10]on waterbed floors from the article that Aaron sent us?

[58:13]Were they engineering geniuses?

[58:15]Also, yes.

[58:16]Agree.

[58:17]I have some thoughts about this song, and I know I did not know until we started listening

[58:24]to this album that this was a Fleetwood Mac song because I know it from two other occasions.

[58:30]And I think we all understand that when a song is reworked, yeah, when a song is reworked

[58:36]by someone, it can either be better than the original or maybe the same as the original.

[58:42]Maybe the same as the original or far worse than the original.

[58:45]And I know of two other versions of this song.

[58:47]That's so brave for you to say that, Aaron.

[58:49]One of which is the Ava Cassidy version, which I think is far better than David Cassidy.

[58:58]I love David Cassidy for the Partridge family.

[59:01]I can't wait.

[59:02]He was awesome in Germany.

[59:04]I heard like he crushed it in Germany.

[59:06]The Ava Cassidy version far outpasses.

[59:08]I appreciate you bringing up Yasmin Bleeth on this podcast.

[59:09]Fleetwood Mac.

[59:10]Yeah.

[59:11]She was smoking hot.

[59:12]Can you imagine the rest of Aaron's life where he's just like, okay, time to go do the podcast.

[59:17]This is the most enjoyable thing I'm going to go do now is where I do some research.

[59:20]I find out some cool stuff.

[59:21]I have a lot of knowledge and I'm going to let three fucking morons interrupt me while

[59:24]I'm actually doing my one thing I want to talk about in this episode.

[59:28]Talk about Baywatch.

[59:29]It's great.

[59:30]I think Ava Cassidy is a great voice.

[59:33]I think we should hear it.

[59:34]Let's hear it.

[59:35]Let's hear her because I think her version is far better than David Cassidy.

[59:40]I think she really rips it.

[59:41]When is this from?

[59:42]This is way better than that song.

[59:43]Is this like '80s, '90s?

[59:44]When is this?

[59:45]'90s, I think.

[59:46]I would say '90s.

[59:47]Okay.

[59:48]Guys, I just looked at the date.

[59:49]It's from 2022.

[59:50]It's from the future.

[59:51]This is a Terminator situation.

[59:52]Generally, what I would knock out to at soccer games, this is about it.

[59:53]She's, I think, one of the great voices.

[59:54]Ava Cassidy did it way better.

[59:55]Yeah.

[59:56]I got to say, but I have to be honest, I have to say who did it way worse, and that

[60:09]was me.

[60:10]No.

[60:11]At our buddy's wedding.

[60:12]No.

[60:13]We know him by his-

[60:14]You sing this song at our friend's wedding?

[60:15]We know, yes.

[60:16]We know him by his sleeveless T-shirts and big muscles.

[60:17]I have to be honest.

[60:18]He said to me, "Rosie, I don't care what you sing at my wedding.

[60:19]I just want you to sing a song that you can dominate."

[60:20]I 100% did not dominate this song at MedFaul's wedding.

[60:21]I need to issue a song that I can dominate.

[60:22]I need to issue a song that I can dominate.

[60:23]I need to issue a song that I can dominate.

[60:24]I need to issue a song that I can dominate.

[60:25]I need to issue a song that I can dominate.

[60:26]I need to issue a song that I can dominate.

[60:27]I need to issue a song that I can dominate.

[60:39]I need to issue a Beck Did It Better apology for my performance all those years

[60:43]ago.

[60:44]Oh, this is great.

[60:45]And now an apology from Beck Did It Better.

[60:46]This is the greatest moment of the podcast right here.

[60:47]This is great.

[60:48]We're peaking.

[60:49]We're peaking, guys.

[60:50]Beck Does It Better podcast.

[60:51]I did this one with another friend of ours on guitar, and it was not good, so that's

[61:00]the three versions of Songbird.

[61:01]How did you pick this?

[61:02]I don't know.

[61:03]I don't know how it came to be, but I didn't do well with it at all.

[61:07]Fortunately, there's no-

[61:08]This is why I never got to sing.

[61:09]I don't need Aaron showing up at my wedding, because he's the only person I know with any

[61:12]musical talent, and he shows up, and a week later, he's like, "Yeah, Songbird by Fleetwood

[61:18]Mac.

[61:19]I was terrible at that.

[61:20]I apologize."

[61:21]By the way, Russell, when you do get married, we are actually going to show up and do at

[61:24]your ceremony a live episode, and I think we're all really excited about that.

[61:28]That's going to be very exciting.

[61:30]That's going to be very exciting.

[61:31]Free pumpkin spice lattes for everyone.

[61:33]Hey, what is this?

[61:34]An altar?

[61:35]How about altered balls?

[61:37]Ooh.

[61:38]Okay, nice.

[61:39]I'll work on it, okay?

[61:40]Altered balls.

[61:41]I think that's actually pretty good.

[61:42]But actually, Aaron actually did sing at my wedding.

[61:43]I did.

[61:44]He did a great job, and I wanted to play a clip of that real quick.

[61:45]Oh, my God.

[61:46]I think it's really good.

[61:47]But for real, Aaron did sing at our wedding, and Jenny thought he did a bad job.

[61:48]I don't know.

[61:49]I don't think that's nice of her to say.

[61:50]You know, I wasn't here to talk about that.

[61:51]I don't think that's nice of her to say.

[61:52]I don't think that's nice of her to say.

[61:53]I don't think that's nice of her to say.

[61:54]I don't think that's nice of her to say.

[61:55]I don't think that's nice of her to say.

[61:56]I don't think that's nice of her to say.

[61:57]I don't think that's nice of her to say.

[61:58]I don't think that's nice of her to say.

[61:59]I don't think that's nice of her to say.

[62:00]I don't think that's nice of her to say.

[62:01]I don't think that's nice of her to say.

[62:02]You know, he wasn't here to defend himself when she went off about it for five minutes.

[62:03]Aaron, do you get paid when you sing at weddings, or how does that work?

[62:04]I think that, yeah, I typically did.

[62:05]I mean, it's been about 10 or 12 years now since I sang at anyone who was not a family

[62:06]member's wedding.

[62:07]You didn't sing at my wedding.

[62:08]I don't know.

[62:09]I didn't sing.

[62:10]My favorite part of my wedding was where Aaron would sing at my wedding.

[62:11]I don't know.

[62:12]I didn't sing at my wedding.

[62:13]I don't know.

[62:14]I didn't sing.

[62:15]My favorite part of my wedding was where Aaron was right next to me in the limousine in a

[62:16]comfy seat with lots of space, and we had all these drinks, and we just had so much

[62:17]fun.

[62:18]Oh, yes.

[62:19]All right.

[62:20]So that is the end of song.

[62:21]That is the end of side one, and now we're on side two, and we've got The Chainsmokers.

[62:22]All right.

[62:23]So that is the end of side two, and we've got The Chainsmokers.

[62:24]All right.

[62:25]So that is the end of side one, and now we're on side two, and we've got The Chainsmokers.

[62:26]All right.

[62:27]So that is the end of side one, and now we're on side two, and we've got The Chainsmokers.

[62:42]All right.

[62:43]So that is the end of side two, and we've got The Chainsmokers.

[62:44]All right.

[62:45]So that is the end of side two, and we've got The Chainsmokers.

[62:46]All right.

[62:47]So that is the end of side two, and we've got The Chainsmokers.

[62:48]All right.

[62:49]So that is the end of side two, and we've got The Chainsmokers.

[62:50]All right.

[62:51]So that is the end of side two, and we've got The Chainsmokers.

[62:52]All right.

[62:53]So that is the end of side two, and we've got The Chainsmokers.

[62:54]All right.

[62:55]So that is the end of side two, and we've got The Chainsmokers.

[62:56]All right.

[62:57]So that is the end of side two, and we've got The Chainsmokers.

[62:58]All right.

[62:59]So that is the end of side two, and we've got The Chainsmokers.

[63:00]All right.

[63:01]So that is the end of side two, and we've got The Chainsmokers.

[63:02]All right.

[63:03]So that is the end of side two, and we've got The Chainsmokers.

[63:04]All right.

[63:05]So that is the end of side two, and we've got The Chainsmokers.

[63:06]All right.

[63:07]So that is the end of side two, and we've got The Chainsmokers.

[63:08]All right.

[63:09]So that is the end of side two, and we've got The Chainsmokers.

[63:10]All right.

[63:11]So that is the end of side two, and we've got The Chainsmokers.

[63:12]All right.

[63:13]So that is the end of side two, and we've got The Chainsmokers.

[63:14]All right.

[63:15]So that is the end of side two, and we've got The Chainsmokers.

[63:16]All right.

[63:17]So that is the end of side two, and we've got The Chainsmokers.

[63:18]All right.

[63:19]So that is the end of side two, and we've got The Chainsmokers.

[63:20]All right.

[63:21]So that is the end of side two, and we've got The Chainsmokers.

[63:22]All right.

[63:23]So that is the end of side two, and we've got The Chainsmokers.

[63:24]All right.

[63:25]So that is the end of side two, and we've got The Chainsmokers.

[63:26]All right.

[63:27]So that is the end of side two, and we've got The Chainsmokers.

[63:28]All right.

[63:29]So that is the end of side two, and we've got The Chainsmokers.

[63:30]All right.

[63:31]So that is the end of side two, and we've got The Chainsmokers.

[63:32]All right.

[63:33]So that is the end of side two, and we've got The Chainsmokers.

[63:34]All right.

[63:35]So that is the end of side two, and we've got The Chainsmokers.

[63:36]All right.

[63:37]So that is the end of side two, and we've got The Chainsmokers.

[63:38]All right.

[63:39]So that is the end of side two, and we've got The Chainsmokers.

[63:40]All right.

[63:41]So that is the end of side two, and we've got The Chainsmokers.

[63:42]All right.

[63:43]So that is the end of side two, and we've got The Chainsmokers.

[63:44]All right.

[63:45]So that is the end of side two, and we've got The Chainsmokers.

[63:46]All right.

[63:47]So that is the end of side two, and we've got The Chainsmokers.

[63:48]All right.

[63:49]So that is the end of side two, and we've got The Chainsmokers.

[63:50]All right.

[63:51]So that is the end of side two, and we've got The Chainsmokers.

[63:52]All right.

[63:53]So that is the end of side two, and we've got The Chainsmokers.

[63:54]All right.

[63:55]So that is the end of side two, and we've got The Chainsmokers.

[63:56]All right.

[63:57]So that is the end of side two, and we've got The Chainsmokers.

[63:58]All right.

[63:59]So that is the end of side two, and we've got The Chainsmokers.

[64:00]All right.

[64:01]So that is the end of side two, and we've got The Chainsmokers.

[64:02]All right.

[64:03]So that is the end of side two, and we've got The Chainsmokers.

[64:04]All right.

[64:05]So that is the end of side two, and we've got The Chainsmokers.

[64:06]All right.

[64:07]So that is the end of side two, and we've got The Chainsmokers.

[64:08]All right.

[64:09]So that is the end of side two, and we've got The Chainsmokers.

[64:10]All right.

[64:11]So that is the end of side two, and we've got The Chainsmokers.

[64:12]All right.

[64:13]So that is the end of side two, and we've got The Chainsmokers.

[64:14]All right.

[64:15]So that is the end of side two, and we've got The Chainsmokers.

[64:16]All right.

[64:17]So that is the end of side two, and we've got The Chainsmokers.

[64:18]All right.

[64:19]So that is the end of side two, and we've got The Chainsmokers.

[64:20]All right.

[64:21]So that is the end of side two, and we've got The Chainsmokers.

[64:22]All right.

[64:23]So that is the end of side two, and we've got The Chainsmokers.

[64:24]All right.

[64:25]So that is the end of side two, and we've got The Chainsmokers.

[64:26]All right.

[64:27]So that is the end of side two, and we've got The Chainsmokers.

[64:28]All right.

[64:29]So that is the end of side two, and we've got The Chainsmokers.

[64:30]All right.

[64:31]So that is the end of side two, and we've got The Chainsmokers.

[64:32]All right.

[64:33]So that is the end of side two, and we've got The Chainsmokers.

[64:34]All right.

[64:35]So that is the end of side two, and we've got The Chainsmokers.

[64:36]All right.

[64:37]So that is the end of side two, and we've got The Chainsmokers.

[64:38]All right.

[64:39]So that is the end of side two, and we've got The Chainsmokers.

[64:40]All right.

[64:41]So that is the end of side two, and we've got The Chainsmokers.

[64:42]All right.

[64:43]So that is the end of side two, and we've got The Chainsmokers.

[64:44]All right.

[64:45]So that is the end of side two, and we've got The Chainsmokers.

[64:46]All right.

[64:47]So that is the end of side two, and we've got The Chainsmokers.

[64:48]All right.

[64:49]So that is the end of side two, and we've got The Chainsmokers.

[64:50]All right.

[64:51]So that is the end of side two, and we've got The Chainsmokers.

[64:52]All right.

[64:53]So that is the end of side two, and we've got The Chainsmokers.

[64:54]All right.

[64:55]So that is the end of side two, and we've got The Chainsmokers.

[64:56]All right.

[64:57]So that is the end of side two, and we've got The Chainsmokers.

[64:58]All right.

[64:59]So that is the end of side two, and we've got The Chainsmokers.

[65:00]All right.

[65:01]So that is the end of side two, and we've got The Chainsmokers.

[65:02]All right.

[65:03]So that is the end of side two, and we've got The Chainsmokers.

[65:04]All right.

[65:05]So that is the end of side two, and we've got The Chainsmokers.

[65:06]All right.

[65:07]So that is the end of side two, and we've got The Chainsmokers.

[65:08]All right.

[65:09]So that is the end of side two, and we've got The Chainsmokers.

[65:10]All right.

[65:11]So that is the end of side two, and we've got The Chainsmokers.

[65:12]All right.

[65:13]So that is the end of side two, and we've got The Chainsmokers.

[65:14]All right.

[65:15]So that is the end of side two, and we've got The Chainsmokers.

[65:16]All right.

[65:17]So that is the end of side two, and we've got The Chainsmokers.

[65:18]All right.

[65:19]So that is the end of side two, and we've got The Chainsmokers.

[65:20]All right.

[65:21]So that is the end of side two, and we've got The Chainsmokers.

[65:22]All right.

[65:23]So that is the end of side two, and we've got The Chainsmokers.

[65:24]All right.

[65:25]So that is the end of side two, and we've got The Chainsmokers.

[65:26]All right.

[65:27]So that is the end of side two, and we've got The Chainsmokers.

[65:28]All right.

[65:29]So that is the end of side two, and we've got The Chainsmokers.

[65:30]All right.

[65:31]So that is the end of side two, and we've got The Chainsmokers.

[65:32]All right.

[65:33]So that is the end of side two, and we've got The Chainsmokers.

[65:34]All right.

[65:35]So that is the end of side two, and we've got The Chainsmokers.

[65:36]All right.

[65:37]So that is the end of side two, and we've got The Chainsmokers.

[65:38]All right.

[65:39]So that is the end of side two, and we've got The Chainsmokers.

[65:40]All right.

[65:41]So that is the end of side two, and we've got The Chainsmokers.

[65:42]All right.

[65:43]So that is the end of side two, and we've got The Chainsmokers.

[65:44]All right.

[65:45]So that is the end of side two, and we've got The Chainsmokers.

[65:46]All right.

[65:47]So that is the end of side two, and we've got The Chainsmokers.

[65:48]All right.

[65:49]So that is the end of side two, and we've got The Chainsmokers.

[65:50]All right.

[65:51]So that is the end of side two, and we've got The Chainsmokers.

[65:52]All right.

[65:53]So that is the end of side two, and we've got The Chainsmokers.

[65:54]All right.

[65:55]So that is the end of side two, and we've got The Chainsmokers.

[65:56]All right.

[65:57]So that is the end of side two, and we've got The Chainsmokers.

[65:58]All right.

[65:59]So that is the end of side two, and we've got The Chainsmokers.

[66:00]All right.

[66:01]So that is the end of side two, and we've got The Chainsmokers.

[66:02]All right.

[66:03]So that is the end of side two, and we've got The Chainsmokers.

[66:04]All right.

[66:05]So that is the end of side two, and we've got The Chainsmokers.

[66:06]All right.

[66:07]So that is the end of side two, and we've got The Chainsmokers.

[66:08]All right.

[66:09]So that is the end of side two, and we've got The Chainsmokers.

[66:10]All right.

[66:11]So that is the end of side two, and we've got The Chainsmokers.

[66:12]All right.

[66:13]So that is the end of side two, and we've got The Chainsmokers.

[66:14]All right.

[66:15]So that is the end of side two, and we've got The Chainsmokers.

[66:16]All right.

[66:17]So that is the end of side two, and we've got The Chainsmokers.

[66:18]All right.

[66:19]So that is the end of side two, and we've got The Chainsmokers.

[66:20]All right.

[66:21]So that is the end of side two, and we've got The Chainsmokers.

[66:22]All right.

[66:23]So that is the end of side two, and we've got The Chainsmokers.

[66:24]All right.

[66:25]So that is the end of side two, and we've got The Chainsmokers.

[66:26]All right.

[66:27]So that is the end of side two, and we've got The Chainsmokers.

[66:28]All right.

[66:29]So that is the end of side two, and we've got The Chainsmokers.

[66:30]All right.

[66:31]So that is the end of side two, and we've got The Chainsmokers.

[66:32]All right.

[66:33]So that is the end of side two, and we've got The Chainsmokers.

[66:34]All right.

[66:35]So that is the end of side two, and we've got The Chainsmokers.

[66:36]All right.

[66:37]So that is the end of side two, and we've got The Chainsmokers.

[66:38]All right.

[66:39]So that is the end of side two, and we've got The Chainsmokers.

[66:40]All right.

[66:41]So that is the end of side two, and we've got The Chainsmokers.

[66:42]All right.

[66:43]So that is the end of side two, and we've got The Chainsmokers.

[66:44]All right.

[66:45]So that is the end of side two, and we've got The Chainsmokers.

[66:46]All right.

[66:47]So that is the end of side two, and we've got The Chainsmokers.

[66:48]All right.

[66:49]So that is the end of side two, and we've got The Chainsmokers.

[66:50]All right.

[66:51]So that is the end of side two, and we've got The Chainsmokers.

[66:52]All right.

[66:53]So that is the end of side two, and we've got The Chainsmokers.

[66:54]All right.

[66:55]So that is the end of side two, and we've got The Chainsmokers.

[66:56]All right.

[66:57]So that is the end of side two, and we've got The Chainsmokers.

[66:58]All right.

[66:59]So that is the end of side two, and we've got The Chainsmokers.

[67:00]All right.

[67:01]So that is the end of side two, and we've got The Chainsmokers.

[67:02]All right.

[67:03]So that is the end of side two, and we've got The Chainsmokers.

[67:04]All right.

[67:05]So that is the end of side two, and we've got The Chainsmokers.

[67:06]All right.

[67:07]So that is the end of side two, and we've got The Chainsmokers.

[67:08]All right.

[67:09]So that is the end of side two, and we've got The Chainsmokers.

[67:10]All right.

[67:11]So that is the end of side two, and we've got The Chainsmokers.

[67:12]All right.

[67:13]So that is the end of side two, and we've got The Chainsmokers.

[67:14]All right.

[67:15]So that is the end of side two, and we've got The Chainsmokers.

[67:16]All right.

[67:17]So that is the end of side two, and we've got The Chainsmokers.

[67:18]All right.

[67:19]So that is the end of side two, and we've got The Chainsmokers.

[67:20]All right.

[67:21]So that is the end of side two, and we've got The Chainsmokers.

[67:22]All right.

[67:23]So that is the end of side two, and we've got The Chainsmokers.

[67:24]All right.

[67:25]So that is the end of side two, and we've got The Chainsmokers.

[67:26]All right.

[67:27]So that is the end of side two, and we've got The Chainsmokers.

[67:28]All right.

[67:29]So that is the end of side two, and we've got The Chainsmokers.

[67:30]All right.

[67:31]So that is the end of side two, and we've got The Chainsmokers.

[67:32]All right.

[67:33]So that is the end of side two, and we've got The Chainsmokers.

[67:34]All right.

[67:35]So that is the end of side two, and we've got The Chainsmokers.

[67:36]All right.

[67:37]So that is the end of side two, and we've got The Chainsmokers.

[67:38]All right.

[67:39]So that is the end of side two, and we've got The Chainsmokers.

[67:40]All right.

[67:41]So that is the end of side two, and we've got The Chainsmokers.

[67:42]All right.

[67:43]So that is the end of side two, and we've got The Chainsmokers.

[67:44]All right.

[67:45]So that is the end of side two, and we've got The Chainsmokers.

[67:46]All right.

[67:47]So that is the end of side two, and we've got The Chainsmokers.

[67:48]All right.

[67:49]So that is the end of side two, and we've got The Chainsmokers.

[67:50]All right.

[67:51]So that is the end of side two, and we've got The Chainsmokers.

[67:52]All right.

[67:53]So that is the end of side two, and we've got The Chainsmokers.

[67:54]All right.

[67:55]So that is the end of side two, and we've got The Chainsmokers.

[67:56]All right.

[67:57]So that is the end of side two, and we've got The Chainsmokers.

[67:58]All right.

[67:59]So that is the end of side two, and we've got The Chainsmokers.

[68:00]All right.

[68:01]So that is the end of side two, and we've got The Chainsmokers.

[68:02]All right.

[68:03]So that is the end of side two, and we've got The Chainsmokers.

[68:04]All right.

[68:05]So that is the end of side two, and we've got The Chainsmokers.

[68:06]All right.

[68:07]So that is the end of side two, and we've got The Chainsmokers.

[68:08]All right.

[68:09]So that is the end of side two, and we've got The Chainsmokers.

[68:10]All right.

[68:11]So that is the end of side two, and we've got The Chainsmokers.

[68:12]All right.

[68:13]So that is the end of side two, and we've got The Chainsmokers.

[68:14]All right.

[68:15]So that is the end of side two, and we've got The Chainsmokers.

[68:16]All right.

[68:17]So that is the end of side two, and we've got The Chainsmokers.

[68:18]All right.

[68:19]So that is the end of side two, and we've got The Chainsmokers.

[68:20]All right.

[68:21]So that is the end of side two, and we've got The Chainsmokers.

[68:22]All right.

[68:23]So that is the end of side two, and we've got The Chainsmokers.

[68:24]All right.

[68:25]So that is the end of side two, and we've got The Chainsmokers.

[68:26]All right.

[68:27]So that is the end of side two, and we've got The Chainsmokers.

[68:28]All right.

[68:29]So that is the end of side two, and we've got The Chainsmokers.

[68:30]All right.

[68:31]So that is the end of side two, and we've got The Chainsmokers.

[68:32]All right.

[68:33]So that is the end of side two, and we've got The Chainsmokers.

[68:34]All right.

[68:35]So that is the end of side two, and we've got The Chainsmokers.

[68:36]All right.

[68:37]So that is the end of side two, and we've got The Chainsmokers.

[68:38]All right.

[68:39]So that is the end of side two, and we've got The Chainsmokers.

[68:40]All right.

[68:41]So that is the end of side two, and we've got The Chainsmokers.

[68:42]All right.

[68:43]So that is the end of side two, and we've got The Chainsmokers.

[68:44]All right.

[68:45]So that is the end of side two, and we've got The Chainsmokers.

[68:46]All right.

[68:47]So that is the end of side two, and we've got The Chainsmokers.

[68:48]All right.

[68:49]So that is the end of side two, and we've got The Chainsmokers.

[68:50]All right.

[68:51]So that is the end of side two, and we've got The Chainsmokers.

[68:52]All right.

[68:53]So that is the end of side two, and we've got The Chainsmokers.

[68:54]All right.

[68:55]So that is the end of side two, and we've got The Chainsmokers.

[68:56]All right.

[68:57]So that is the end of side two, and we've got The Chainsmokers.

[68:58]All right.

[68:59]So that is the end of side two, and we've got The Chainsmokers.

[69:00]All right.

[69:01]So that is the end of side two, and we've got The Chainsmokers.

[69:02]All right.

[69:03]So that is the end of side two, and we've got The Chainsmokers.

[69:04]All right.

[69:05]So that is the end of side two, and we've got The Chainsmokers.

[69:06]All right.

[69:07]So that is the end of side two, and we've got The Chainsmokers.

[69:08]All right.

[69:09]So that is the end of side two, and we've got The Chainsmokers.

[69:10]All right.

[69:11]So that is the end of side two, and we've got The Chainsmokers.

[69:12]All right.

[69:13]So that is the end of side two, and we've got The Chainsmokers.

[69:14]All right.

[69:15]So that is the end of side two, and we've got The Chainsmokers.

[69:16]All right.

[69:17]So that is the end of side two, and we've got The Chainsmokers.

[69:18]All right.

[69:19]So that is the end of side two, and we've got The Chainsmokers.

[69:20]All right.

[69:21]So that is the end of side two, and we've got The Chainsmokers.

[69:22]All right.

[69:23]So that is the end of side two, and we've got The Chainsmokers.

[69:24]All right.

[69:25]So that is the end of side two, and we've got The Chainsmokers.

[69:26]All right.

[69:27]So that is the end of side two, and we've got The Chainsmokers.

[69:28]All right.

[69:29]So that is the end of side two, and we've got The Chainsmokers.

[69:30]All right.

[69:31]So that is the end of side two, and we've got The Chainsmokers.

[69:32]All right.

[69:33]So that is the end of side two, and we've got The Chainsmokers.

[69:34]All right.

[69:35]So that is the end of side two, and we've got The Chainsmokers.

[69:36]All right.

[69:37]So that is the end of side two, and we've got The Chainsmokers.

[69:38]All right.

[69:39]So that is the end of side two, and we've got The Chainsmokers.

[69:40]All right.

[69:41]So that is the end of side two, and we've got The Chainsmokers.

[69:42]All right.

[69:43]So that is the end of side two, and we've got The Chainsmokers.

[69:44]All right.

[69:45]So that is the end of side two, and we've got The Chainsmokers.

[69:46]All right.

[69:47]So that is the end of side two, and we've got The Chainsmokers.

[69:48]All right.

[69:49]So that is the end of side two, and we've got The Chainsmokers.

[69:50]All right.

[69:51]So that is the end of side two, and we've got The Chainsmokers.

[69:52]All right.

[69:53]So that is the end of side two, and we've got The Chainsmokers.

[69:54]All right.

[69:55]So that is the end of side two, and we've got The Chainsmokers.

[69:56]All right.

[69:57]So that is the end of side two, and we've got The Chainsmokers.

[69:58]All right.

[69:59]So that is the end of side two, and we've got The Chainsmokers.

[70:00]All right.

[70:01]So that is the end of side two, and we've got The Chainsmokers.

[70:02]All right.

[70:03]So that is the end of side two, and we've got The Chainsmokers.

[70:04]All right.

[70:05]So that is the end of side two, and we've got The Chainsmokers.

[70:06]All right.

[70:07]So that is the end of side two, and we've got The Chainsmokers.

[70:08]All right.

[70:09]So that is the end of side two, and we've got The Chainsmokers.

[70:10]All right.

[70:11]So that is the end of side two, and we've got The Chainsmokers.

[70:12]All right.

[70:13]So that is the end of side two, and we've got The Chainsmokers.

[70:14]All right.

[70:15]So that is the end of side two, and we've got The Chainsmokers.

[70:16]All right.

[70:17]So that is the end of side two, and we've got The Chainsmokers.

[70:18]All right.

[70:19]So that is the end of side two, and we've got The Chainsmokers.

[70:20]All right.

[70:21]So that is the end of side two, and we've got The Chainsmokers.

[70:22]All right.

[70:23]So that is the end of side two, and we've got The Chainsmokers.

[70:24]All right.

[70:25]So that is the end of side two, and we've got The Chainsmokers.

[70:26]All right.

[70:27]So that is the end of side two, and we've got The Chainsmokers.

[70:28]All right.

[70:29]So that is the end of side two, and we've got The Chainsmokers.

[70:30]All right.

[70:31]So that is the end of side two, and we've got The Chainsmokers.

[70:32]All right.

[70:33]So that is the end of side two, and we've got The Chainsmokers.

[70:34]All right.

[70:35]So that is the end of side two, and we've got The Chainsmokers.

[70:36]All right.

[70:37]So that is the end of side two, and we've got The Chainsmokers.

[70:38]All right.

[70:39]So that is the end of side two, and we've got The Chainsmokers.

[70:40]All right.

[70:41]So that is the end of side two, and we've got The Chainsmokers.

[70:42]All right.

[70:43]So that is the end of side two, and we've got The Chainsmokers.

[70:44]All right.

[70:45]So that is the end of side two, and we've got The Chainsmokers.

[70:46]All right.

[70:47]So that is the end of side two, and we've got The Chainsmokers.

[70:48]All right.

[70:49]So that is the end of side two, and we've got The Chainsmokers.

[70:50]All right.

[70:51]So that is the end of side two, and we've got The Chainsmokers.

[70:52]All right.

[70:53]So that is the end of side two, and we've got The Chainsmokers.

[70:54]All right.

[70:55]So that is the end of side two, and we've got The Chainsmokers.

[70:56]All right.

[70:57]So that is the end of side two, and we've got The Chainsmokers.

[70:58]All right.

[70:59]So that is the end of side two, and we've got The Chainsmokers.

[71:00]All right.

[71:01]So that is the end of side two, and we've got The Chainsmokers.

[71:02]All right.

[71:03]So that is the end of side two, and we've got The Chainsmokers.

[71:04]All right.

[71:05]So that is the end of side two, and we've got The Chainsmokers.

[71:06]All right.

[71:07]So that is the end of side two, and we've got The Chainsmokers.

[71:08]All right.

[71:09]So that is the end of side two, and we've got The Chainsmokers.

[71:10]All right.

[71:11]So that is the end of side two, and we've got The Chainsmokers.

[71:12]All right.

[71:13]So that is the end of side two, and we've got The Chainsmokers.

[71:14]All right.

[71:15]So that is the end of side two, and we've got The Chainsmokers.

[71:16]All right.

[71:17]So that is the end of side two, and we've got The Chainsmokers.

[71:18]All right.

[71:19]So that is the end of side two, and we've got The Chainsmokers.

[71:20]All right.

[71:21]So that is the end of side two, and we've got The Chainsmokers.

[71:22]All right.

[71:23]So that is the end of side two, and we've got The Chainsmokers.

[71:24]All right.

[71:25]So that is the end of side two, and we've got The Chainsmokers.

[71:26]All right.

[71:27]So that is the end of side two, and we've got The Chainsmokers.

[71:28]All right.

[71:29]So that is the end of side two, and we've got The Chainsmokers.

[71:30]All right.

[71:31]So that is the end of side two, and we've got The Chainsmokers.

[71:32]All right.

[71:33]So that is the end of side two, and we've got The Chainsmokers.

[71:34]All right.

[71:35]So that is the end of side two, and we've got The Chainsmokers.

[71:36]All right.

[71:37]So that is the end of side two, and we've got The Chainsmokers.

[71:38]All right.

[71:39]So that is the end of side two, and we've got The Chainsmokers.

[71:40]All right.

[71:41]So that is the end of side two, and we've got The Chainsmokers.

[71:42]All right.

[71:43]So that is the end of side two, and we've got The Chainsmokers.

[71:44]All right.

[71:45]So that is the end of side two, and we've got The Chainsmokers.

[71:46]All right.

[71:47]So that is the end of side two, and we've got The Chainsmokers.

[71:48]All right.

[71:49]So that is the end of side two, and we've got The Chainsmokers.

[71:50]All right.

[71:51]So that is the end of side two, and we've got The Chainsmokers.

[71:52]All right.

[71:53]So that is the end of side two, and we've got The Chainsmokers.

[71:54]All right.

[71:55]So that is the end of side two, and we've got The Chainsmokers.

[71:56]All right.

[71:57]So that is the end of side two, and we've got The Chainsmokers.

[71:58]All right.

[71:59]So that is the end of side two, and we've got The Chainsmokers.

[72:00]All right.

[72:01]So that is the end of side two, and we've got The Chainsmokers.

[72:02]All right.

[72:03]So that is the end of side two, and we've got The Chainsmokers.

[72:04]All right.

[72:05]So that is the end of side two, and we've got The Chainsmokers.

[72:06]All right.

[72:07]So that is the end of side two, and we've got The Chainsmokers.

[72:08]All right.

[72:09]So that is the end of side two, and we've got The Chainsmokers.

[72:10]All right.

[72:11]So that is the end of side two, and we've got The Chainsmokers.

[72:12]All right.

[72:13]So that is the end of side two, and we've got The Chainsmokers.

[72:14]All right.

[72:15]So that is the end of side two, and we've got The Chainsmokers.

[72:16]All right.

[72:17]So that is the end of side two, and we've got The Chainsmokers.

[72:18]All right.

[72:19]So that is the end of side two, and we've got The Chainsmokers.

[72:20]All right.

[72:21]So that is the end of side two, and we've got The Chainsmokers.

[72:22]All right.

[72:23]So that is the end of side two, and we've got The Chainsmokers.

[72:24]All right.

[72:25]So that is the end of side two, and we've got The Chainsmokers.

[72:26]All right.

[72:27]So that is the end of side two, and we've got The Chainsmokers.

[72:28]All right.

[72:29]So that is the end of side two, and we've got The Chainsmokers.

[72:30]All right.

[72:31]So that is the end of side two, and we've got The Chainsmokers.

[72:32]All right.

[72:33]So that is the end of side two, and we've got The Chainsmokers.

[72:34]All right.

[72:35]So that is the end of side two, and we've got The Chainsmokers.

[72:36]All right.

[72:37]So that is the end of side two, and we've got The Chainsmokers.

[72:38]All right.

[72:39]So that is the end of side two, and we've got The Chainsmokers.

[72:40]All right.

[72:41]So that is the end of side two, and we've got The Chainsmokers.

[72:42]All right.

[72:43]So that is the end of side two, and we've got The Chainsmokers.

[72:44]All right.

[72:45]So that is the end of side two, and we've got The Chainsmokers.

[72:46]All right.

[72:47]So that is the end of side two, and we've got The Chainsmokers.

[72:48]All right.

[72:49]So that is the end of side two, and we've got The Chainsmokers.

[72:50]All right.

[72:51]So that is the end of side two, and we've got The Chainsmokers.

[72:52]All right.

[72:53]So that is the end of side two, and we've got The Chainsmokers.

[72:54]All right.

[72:55]So that is the end of side two, and we've got The Chainsmokers.

[72:56]All right.

[72:57]So that is the end of side two, and we've got The Chainsmokers.

[72:58]All right.

[72:59]So that is the end of side two, and we've got The Chainsmokers.

[73:00]All right.

[73:01]So that is the end of side two, and we've got The Chainsmokers.

[73:02]All right.

[73:03]So that is the end of side two, and we've got The Chainsmokers.

[73:04]All right.

[73:05]So that is the end of side two, and we've got The Chainsmokers.

[73:06]All right.

[73:07]So that is the end of side two, and we've got The Chainsmokers.

[73:08]All right.

[73:09]So that is the end of side two, and we've got The Chainsmokers.

[73:10]All right.

[73:11]So that is the end of side two, and we've got The Chainsmokers.

[73:12]All right.

[73:13]So that is the end of side two, and we've got The Chainsmokers.

[73:14]All right.

[73:15]So that is the end of side two, and we've got The Chainsmokers.

[73:16]All right.

[73:17]So that is the end of side two, and we've got The Chainsmokers.

[73:18]All right.

[73:19]So that is the end of side two, and we've got The Chainsmokers.

[73:20]All right.

[73:21]So that is the end of side two, and we've got The Chainsmokers.

[73:22]All right.

[73:23]So that is the end of side two, and we've got The Chainsmokers.

[73:24]All right.

[73:25]So that is the end of side two, and we've got The Chainsmokers.

[73:26]All right.

[73:27]So that is the end of side two, and we've got The Chainsmokers.

[73:28]All right.

[73:29]So that is the end of side two, and we've got The Chainsmokers.

[73:30]All right.

[73:31]So that is the end of side two, and we've got The Chainsmokers.

[73:32]All right.

[73:33]So that is the end of side two, and we've got The Chainsmokers.

[73:34]All right.

[73:35]So that is the end of side two, and we've got The Chainsmokers.

[73:36]All right.

[73:37]So that is the end of side two, and we've got The Chainsmokers.

[73:38]All right.

[73:39]So that is the end of side two, and we've got The Chainsmokers.

[73:40]All right.

[73:41]So that is the end of side two, and we've got The Chainsmokers.

[73:42]All right.

[73:43]So that is the end of side two, and we've got The Chainsmokers.

[73:44]All right.

[73:45]So that is the end of side two, and we've got The Chainsmokers.

[73:46]All right.

[73:47]So that is the end of side two, and we've got The Chainsmokers.

[73:48]All right.

[73:49]So that is the end of side two, and we've got The Chainsmokers.

[73:50]All right.

[73:51]So that is the end of side two, and we've got The Chainsmokers.

[73:52]All right.

[73:53]So that is the end of side two, and we've got The Chainsmokers.

[73:54]All right.

[73:55]So that is the end of side two, and we've got The Chainsmokers.

[73:56]All right.

[73:57]So that is the end of side two, and we've got The Chainsmokers.

[73:58]All right.

[73:59]So that is the end of side two, and we've got The Chainsmokers.

[74:00]All right.

[74:01]So that is the end of side two, and we've got The Chainsmokers.

[74:02]All right.

[74:03]So that is the end of side two, and we've got The Chainsmokers.

[74:04]All right.

[74:05]So that is the end of side two, and we've got The Chainsmokers.

[74:06]All right.

[74:07]So that is the end of side two, and we've got The Chainsmokers.

[74:08]All right.

[74:09]So that is the end of side two, and we've got The Chainsmokers.

[74:10]All right.

[74:11]So that is the end of side two, and we've got The Chainsmokers.

[74:12]All right.

[74:13]So that is the end of side two, and we've got The Chainsmokers.

[74:14]All right.

[74:15]So that is the end of side two, and we've got The Chainsmokers.

[74:16]All right.

[74:17]So that is the end of side two, and we've got The Chainsmokers.

[74:18]All right.

[74:19]So that is the end of side two, and we've got The Chainsmokers.

[74:20]All right.

[74:21]So that is the end of side two, and we've got The Chainsmokers.

[74:22]All right.

[74:23]So that is the end of side two, and we've got The Chainsmokers.

[74:24]All right.

[74:25]So that is the end of side two, and we've got The Chainsmokers.

[74:26]All right.

[74:27]So that is the end of side two, and we've got The Chainsmokers.

[74:28]All right.

[74:29]So that is the end of side two, and we've got The Chainsmokers.

[74:30]All right.

[74:31]So that is the end of side two, and we've got The Chainsmokers.

[74:32]All right.

[74:33]So that is the end of side two, and we've got The Chainsmokers.

[74:34]All right.

[74:35]So that is the end of side two, and we've got The Chainsmokers.

[74:36]All right.

[74:37]So that is the end of side two, and we've got The Chainsmokers.

[74:38]All right.

[74:39]So that is the end of side two, and we've got The Chainsmokers.

[74:40]All right.

[74:41]So that is the end of side two, and we've got The Chainsmokers.

[74:42]All right.

[74:43]So that is the end of side two, and we've got The Chainsmokers.

[74:44]All right.

[74:45]So that is the end of side two, and we've got The Chainsmokers.

[74:46]All right.

[74:47]So that is the end of side two, and we've got The Chainsmokers.

[74:48]All right.

[74:49]So that is the end of side two, and we've got The Chainsmokers.

[74:50]All right.

[74:51]So that is the end of side two, and we've got The Chainsmokers.

[74:52]All right.

[74:53]So that is the end of side two, and we've got The Chainsmokers.

[74:54]All right.

[74:55]So that is the end of side two, and we've got The Chainsmokers.

[74:56]All right.

[74:57]So that is the end of side two, and we've got The Chainsmokers.

[74:58]All right.

[74:59]So that is the end of side two, and we've got The Chainsmokers.

[75:00]All right.

[75:01]So that is the end of side two, and we've got The Chainsmokers.

[75:02]All right.

[75:03]So that is the end of side two, and we've got The Chainsmokers.

[75:04]All right.

[75:05]So that is the end of side two, and we've got The Chainsmokers.

[75:06]All right.

[75:07]So that is the end of side two, and we've got The Chainsmokers.

[75:08]All right.

[75:09]So that is the end of side two, and we've got The Chainsmokers.

[75:10]All right.

[75:11]So that is the end of side two, and we've got The Chainsmokers.

[75:12]All right.

[75:13]So that is the end of side two, and we've got The Chainsmokers.

[75:14]All right.

[75:15]So that is the end of side two, and we've got The Chainsmokers.

[75:16]All right.

[75:17]So that is the end of side two, and we've got The Chainsmokers.

[75:18]All right.

[75:19]So that is the end of side two, and we've got The Chainsmokers.

[75:20]All right.

[75:21]So that is the end of side two, and we've got The Chainsmokers.

[75:22]All right.

[75:23]So that is the end of side two, and we've got The Chainsmokers.

[75:24]All right.

[75:25]So that is the end of side two, and we've got The Chainsmokers.

[75:26]All right.

[75:27]So that is the end of side two, and we've got The Chainsmokers.

[75:28]All right.

[75:29]So that is the end of side two, and we've got The Chainsmokers.

[75:30]All right.

[75:31]So that is the end of side two, and we've got The Chainsmokers.

[75:32]All right.

[75:33]So that is the end of side two, and we've got The Chainsmokers.

[75:34]All right.

[75:35]So that is the end of side two, and we've got The Chainsmokers.

[75:36]All right.

[75:37]So that is the end of side two, and we've got The Chainsmokers.

[75:38]All right.

[75:39]So that is the end of side two, and we've got The Chainsmokers.

[75:40]All right.

[75:41]So that is the end of side two, and we've got The Chainsmokers.

[75:42]All right.

[75:43]So that is the end of side two, and we've got The Chainsmokers.

[75:44]All right.

[75:45]So that is the end of side two, and we've got The Chainsmokers.

[75:46]All right.

[75:47]So that is the end of side two, and we've got The Chainsmokers.

[75:48]All right.

[75:49]So that is the end of side two, and we've got The Chainsmokers.

[75:50]All right.

[75:51]So that is the end of side two, and we've got The Chainsmokers.

[75:52]All right.

[75:53]So that is the end of side two, and we've got The Chainsmokers.

[75:54]All right.

[75:55]So that is the end of side two, and we've got The Chainsmokers.

[75:56]All right.

[75:57]So that is the end of side two, and we've got The Chainsmokers.

[75:58]All right.

[75:59]So that is the end of side two, and we've got The Chainsmokers.

[76:00]All right.

[76:01]So that is the end of side two, and we've got The Chainsmokers.

[76:02]All right.

[76:03]So that is the end of side two, and we've got The Chainsmokers.

[76:04]All right.

[76:05]So that is the end of side two, and we've got The Chainsmokers.

[76:06]All right.

[76:07]So that is the end of side two, and we've got The Chainsmokers.

[76:08]All right.

[76:09]So that is the end of side two, and we've got The Chainsmokers.

[76:10]All right.

[76:11]So that is the end of side two, and we've got The Chainsmokers.

[76:12]All right.

[76:13]So that is the end of side two, and we've got The Chainsmokers.

[76:14]All right.

[76:15]So that is the end of side two, and we've got The Chainsmokers.

[76:16]All right.

[76:17]So that is the end of side two, and we've got The Chainsmokers.

[76:18]All right.

[76:19]So that is the end of side two, and we've got The Chainsmokers.

[76:20]All right.

[76:21]So that is the end of side two, and we've got The Chainsmokers.

[76:22]All right.

[76:23]So that is the end of side two, and we've got The Chainsmokers.

[76:24]All right.

[76:25]So that is the end of side two, and we've got The Chainsmokers.

[76:26]All right.

[76:27]So that is the end of side two, and we've got The Chainsmokers.

[76:28]All right.

[76:29]So that is the end of side two, and we've got The Chainsmokers.

[76:30]All right.

[76:31]So that is the end of side two, and we've got The Chainsmokers.

[76:32]All right.

[76:33]So that is the end of side two, and we've got The Chainsmokers.

[76:34]All right.

[76:35]So that is the end of side two, and we've got The Chainsmokers.

[76:36]All right.

[76:37]So that is the end of side two, and we've got The Chainsmokers.

[76:38]All right.

[76:39]So that is the end of side two, and we've got The Chainsmokers.

[76:40]All right.

[76:41]So that is the end of side two, and we've got The Chainsmokers.

[76:42]All right.

[76:43]So that is the end of side two, and we've got The Chainsmokers.

[76:44]All right.

[76:45]So that is the end of side two, and we've got The Chainsmokers.

[76:46]All right.

[76:47]So that is the end of side two, and we've got The Chainsmokers.

[76:48]All right.

[76:49]So that is the end of side two, and we've got The Chainsmokers.

[76:50]All right.

[76:51]So that is the end of side two, and we've got The Chainsmokers.

[76:52]All right.

[76:53]So that is the end of side two, and we've got The Chainsmokers.

[76:54]All right.

[76:55]So that is the end of side two, and we've got The Chainsmokers.

[76:56]All right.

[76:57]So that is the end of side two, and we've got The Chainsmokers.

[76:58]All right.

[76:59]So that is the end of side two, and we've got The Chainsmokers.

[77:00]All right.

[77:01]So that is the end of side two, and we've got The Chainsmokers.

[77:02]All right.

[77:03]So that is the end of side two, and we've got The Chainsmokers.

[77:04]All right.

[77:05]So that is the end of side two, and we've got The Chainsmokers.

[77:06]All right.

[77:07]So that is the end of side two, and we've got The Chainsmokers.

[77:08]All right.

[77:09]So that is the end of side two, and we've got The Chainsmokers.

[77:10]All right.

[77:11]So that is the end of side two, and we've got The Chainsmokers.

[77:12]All right.